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Arthur Chu finds the parallels between the #GamerGate movement and 1979’s Disco Demolition Night, showing the rage behind both.  

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Status on October 19, 2014Essays, To Exportfeminism, gamergate, gaming, social critique, stopgamergate2014, video gamesHarry Underwood

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← #GamerGaters boast “We found Anita’s harasser.” Uh, guys, THERE’S MORE THAN ONE Distorted Love: The Toll Of Our Christian Theology On The LGBT Community →

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