Some of my favorite sets of this decade, wrapped into one video.

LIST OF BBOYS
0:00 SHORTY FORCE (R16 Korea 2015)
0:38 ISSEI (Silverback Open 2016)
1:29 ALKOLIL (Undisputed World BBoy Masters 2015)
1:50 THESIS (Reign Supreme 2013)
2:28 WILLY (Red Bull BC One 2017)
2:50 MORRIS (World BBoy Classic 2011)
3:24 LIL ZOO (BBIC 2018)
3:54 ZOOPREME (Groove Session 2017)
4:24 DYZEE (Freestyle Session World Final 2015)
4:48 TAISUKE (DANCE@LIVE 2012) *maybe i should’ve used the set from BBIC instead?
5:21 SHIGEKIX (Ichigeki Anniversary 2019)
5:53 KAZUKI ROCK (Silverback Open 2018)
6:24 GRAVITY (Red Bull BC One 2010)
6:51 WING (Freestyle Session World Final 2018)
7:26 BLOND (Red Bull BC One 2014)
8:00 KILLA KOLYA (Red Bull BC One 2019)
8:36 MENNO (United Styles 2019)
9:15 AYUMI (Freestyle Session World Final 2016)
10:04 BORN (The Notorious IBE 2010)
10:33 NORI (Red Bull BC One Asia Pacific Qualifier 2013)
11:05 KID DAVID (Freestyle Session World Final 2011)
11:34 LIL G (Red Bull BC One Camp Nagoya 2016)
11:55 KILL & POCKET (City War 2013)
12:47 VERO (Red Bull BC One Asia Pacific Qualifier 2011)
13:07 KID COLOMBIA (World BBoy Classic 2017)
13:30 NEGUIN (Red Bull BC One 2016)
14:08 ROO (Gangjin BBoy Masters 2014)
14:42 SUNNI (The Notorious IBE 2015)
15:22 BRUCE LEE (Chelles Battle Pro 2014)
16:13 LILOU (The Notorious IBE 2010
16:40 HONG10 (Red Bull BC One 2013)
17:18 HEADY (BBIC 2017)
17:47 VICTOR (The Legits Blast Winter 2018)
18:17 ROXRITE (SEC 23rd Anniversary 2017)
18:51 WING ZERO (Freestyle Session World Final 2016)

via YouTube

Ames window illusion illustrates how we don’t directly perceive external reality. Special Holiday deal! Go to https://ift.tt/2MrYkBv and use code VERITASIUM to get 68% off a 2 year plan plus 4 additional months free. It’s risk free with Nord’s 30 day money-back guarantee!

Special thanks to:
Prof. Phil Kellman from UCLA Psychology https://ift.tt/3rJMX84
Museum of Illusions in Los Angeles for the use of their Ames Room https://laillusions.com
Curiosity Show – Video on Ames Illusion: https://youtu.be/DkVOIJAaWO0

References:
Ames, A., Jr. (1951). Visual perception and the rotating trapezoidal window. Psychological Monographs: General and Applied, 65(7), i–32. https://ift.tt/3rIXwby

Marcel de Heer & Thomas V. Papathomas (2017) The Ames Window Illusion and Its Variations
DOI:10.1093/acprof:oso/9780199794607.003.0014

Oross, Stephen, Francis, Ellie, Mauk, Deborah & Fox, Robert. (1987). The Ames Window Illusion: Perception of Illusory Motion by Human Infants. Journal of Experimental Psychology: Human Perception & Performance, 13(4), 609-613.

Behrens, R. (1987). The Life and Unusual Ideas of Adelbert Ames, Jr. Leonardo, 20(3), 273-279. doi:10.2307/1578173

Burnham, C., & Ono, H. (1969). Variables Altering Perception of the Rotating Trapezoidal Illusion. The American Journal of Psychology, 82(1), 86-95. doi:10.2307/1420609

Allport, G. W., & Pettigrew, T. F. (1957). Cultural influence on the perception of movement: The trapezoidal illusion among Zulus. The Journal of Abnormal and Social Psychology, 55(1), 104–113. https://ift.tt/3hwbVTs

Zenhausern R. Effect of Perspective on Two Trapezoid Illusions. Perceptual and Motor Skills. 1969;28(3):1003-1009. doi:10.2466/pms.1969.28.3.1003

Gehringer, W. L., & Engel, E. (1986). Effect of ecological viewing conditions on the Ames’ distorted room illusion. Journal of Experimental Psychology: Human Perception and Performance, 12(2), 181–185. https://ift.tt/3o34Mg3

Long, G.M., Toppino, T.C. Adaptation effects and reversible figures: A comment on Horlitz and O’Leary. Perception & Psychophysics 56, 605–610 (1994). https://ift.tt/2Laq2Sk

Gregory RL. Looking through the Ames window. Perception. 2009;38(12):1739-40. doi: 10.1068/p3812ed. PMID: 20192124.

Jahoda, G. (1966). Geometric illusions and environment: A study in Ghana. British Journal of Psychology, 57(1-2), 193–199. https://ift.tt/2WVOsSk

V. Mary Stewart (1974) A Cross-Cultural Test of the “Carpentered World” Hypothesis Using The Ames Distorted Room Illusion, International Journal of Psychology, 9:2, 79-89, DOI: 10.1080/00207597408247094

Margaret Kathleen Cappone (1966) The Effect of Verbal Suggestion on the Reversal Rate of the Ames Trapezoid Illusion, The Journal of Psychology, 62:2, 211-219, DOI: 10.1080/00223980.1966.10543786

Researched and written by Petr Lebedev and Derek Muller
Filmed by Derek Muller and Raquel Nuno
Animations, VFX, and Music by Jonny Hyman
Ames Room VFX and additional Ames Window animation by Nicolas Pratt
Additional Music from https://ift.tt/1AcBEnM “Life in Color” “Singularity”
Large Ames window construction by GW Construction
Video supplied by Getty Images

via YouTube

With a disco sample and drum machine house music took over the globe .

Become a Video Lab member! http://bit.ly/video-lab

House has become one of the most popular forms of electronic music since its inception in the late 80’s.

It began in Chicago, when local DJ’s and music producers experimented with remixing disco vocals over hard hitting drum machines. They would soon play a huge role in popularizing the sound and distinguishing house music as a global music genre.

Chicago gospel singer, Loleatta Halloway, is one of the most widely sampled artists in house music history. Her song “Love Sensation” has been sampled nearly 300 times, including on Black Box’s “Ride on Time”, the notorious hit that became the best selling single in the U.K in 1989.

Special thanks to James Wiltshire and Torsten Schmidt for offering their expertise in this video. Links to them are below:
James Wiltshire: https://www.youtube.com/watch?v=aSFQIlnB_1k

Torsten Schmidt: https://ift.tt/2JGFmly

There are countless histories on house music across the internet, the ones listed below proved tremendously helpful in putting this video together.

Red Bull Music Academy, TR-909 and House music https://ift.tt/2LtlXIb

Time to Jack: Chip E on the Birth of Chicago House
https://ift.tt/2JJmzG3

Frankie Knuckles on the Birth of House Music | Red Bull Music Academy

The Chicago Record Store That Popularized House
https://ift.tt/2k2Ox6N

When Techno Was House
https://ift.tt/2LpRquC

Collection of WBMX radio show playlists
https://ift.tt/2JHuiV1

How Loleatta Holloway Became Disco’s Most Sampled Artist https://ift.tt/2k39jTN

I was there when house music took over the world

Note: The headline for this video has been updated since publishing.
Previous headline: How Chicago built house music from the ashes of disco

Follow Vox Earworm on Facebook for more: https://ift.tt/2PqG8J4

Some songs don’t just stick in your head, they change the music world forever. Join Estelle Caswell on a musical journey to discover the stories behind your favorite songs.

And be sure to check out Earworm’s complete first season here: http://bit.ly/2QCwhMH

Vox.com is a news website that helps you cut through the noise and understand what’s really driving the events in the headlines. Check out http://www.vox.com.

Watch our full video catalog: http://goo.gl/IZONyE
Follow Vox on Facebook: http://goo.gl/U2g06o
Or Twitter: http://goo.gl/XFrZ5H

via YouTube

To SEATBELTS supporters / シートベルツを応援してくださっている皆さんに/
This is the Space Lion Virtual session 2020 by the original members and volunteers.
オリジナルメンバーと有志による Space Lion Virtual session 2020 です。

オンライン配信販売もあります。以下をご確認ください。https://ift.tt/2ZYTiB4
This music is delivered also by online distributors like iTunes and spotify.

donation→ https://ift.tt/2X0HDQt
おひねり→ https://ift.tt/2ZxgBBU

This video is made in the Session Starducks project.
Captain Duckling has responded for the request from many of you.
これは、Session Starducksプロジェクトの一環で、皆様からのご要望が多かったSpace Lionを制作したものです。

Let’s have a session with SEATBELTS!
To learn Session Starducks, please refer at https://starducks.me/ (日本語/English/Francais/中文/Deutsch/Italiano/台湾(繁体中文))

SEATBELTSとセッションしよう！
Session Starducks については、以下をご覧ください。
https://starducks.me/ (日本語/English/Francais/中文/Deutsch/Italiano/台湾(繁体中文))

Copyright 1998 SUNRISE MUSIC PUBLISHING CO., LTD
Composed and Arranged by Yoko Kanno
This video is published under the permission of SUNRISE MUSIC PUBLISHING CO., LTD

via YouTube

Happy Birthday DJ Large! Grattis på födelsedagen 🇸🇪
Stream “A Wasteland Fairytale” on Spotify: https://ift.tt/2YFmCdL

📸 Join the community:
————————————–
– Instagram: https://ift.tt/3cvPOMw
– Facebook: https://ift.tt/3alUQZw
– Twitter: https://twitter.com/wildgrunt

Follow DJ Matt Large:
——————————-
– Instagram: https://ift.tt/3j9Ts06
– Spotify: https://ift.tt/3raZi3R

🎼 Playlists:
————————————–
– Spotify: https://ift.tt/36wt7UK
– Soundcloud: https://ift.tt/39AgFoM
– YouTube: https://www.youtube.com/playlist?list=PLpSXq9HJROtejvCWxOPVXgQA8qyd1SOfr
⠀
🎧 Featured tracks by DJ Matt Large:
——————————-
00:00 Matt Large – A City in Ruins
02:56 Matt Large – I Can’t Breathe
06:13 Matt Large – A Prayer for George
09:10 Matt Large – The Sound of Solitude
12:00 Matt Large – A Wasteland Fairytale

⚖️ License information:
————————————–
– ES link: https://ift.tt/36yNhxv
– Footage used licensed through Envato, or Pexels.

via YouTube

Add my socialssss
Instagram- @Alaja.mp3
Twitter- alajamp3
Snapchat @Kidzzakween
Drop sum suggestions in my comments or on my channel disscussion

via YouTube

Went downtown after the announcement that Biden won the election and this is what I captured that day

via YouTube

A hip-hop odyssey using footage spanning a decade. Welcome to the stormy inner world of one Congolese-American coming of age in the US.

Starring Nathan Nzanga
Directed by Caleb Slain
Created in community at Prodigy Camp

Support the film’s mission on GoFundMe: http://bit.ly/2NLOx9Z

Connect with Nathan
Spotify: https://cutt.ly/lkrokO7
Apple Music: https://cutt.ly/JkrosJc
TIDAL: https://cutt.ly/JkrotNI
Instagram: https://cutt.ly/jkroQXD
Twitter: https://cutt.ly/5kroIfM

via YouTube

Racism rooted in slavery has not gone away in Brazil — and it took time until its existence was even acknowledged.

Subscribe to our channel! http://goo.gl/0bsAjO

Brazil imported more African slaves than any other country in the world: over 4 million people. Despite the ancestry forming a big part of the population, the development of a national Black identity was hindered after the country’s abolition of slavery in 1888.

Brazil didn’t have an apartheid system like South Africa’s or Jim Crow laws like the United States, and its mixed population was seen as a symbol of harmony between races. The idea of Brazil being a “racial democracy” affected how Brazilians saw the role of race in their own lives — until the myth was debunked.

“Several people were raised with certain privileges for being a light-skinned person, but still suffering some discrimination and not understanding exactly why is that so,” explains lawyer and diversity studies professor Thiago Amparo. “Only by understanding the history of Brazil, the [social] construction of whiteness and their own Black ancestry, they start to self-identify as Black.”
The rise in the number of Brazilians who self-identify as Black came as a result of the Black movement’s fight to denounce racism in the country and to promote positive references of Blackness. Many achievements have been made over the past decades, such as the implementation of affirmative action practices. However, challenges remain. Seventy-five percent of people killed by police in Brazil in 2019 were Black, and socio-economic characteristics of this population widely differ from those of white people.

Vox.com is a news website that helps you cut through the noise and understand what’s really driving the events in the headlines. Check out http://www.vox.com.

Watch our full video catalog: http://goo.gl/IZONyE
Follow Vox on Facebook: http://goo.gl/U2g06o
Or Twitter: http://goo.gl/XFrZ5H

via YouTube

Hi , thank you for all the support . I will be putting this song out soon .

If you would like to donate you can do so here
At cashapp $nikkialiah
Venmo : Aliah -Sheffield

As an independent artist every little bit helps 🙏🏽

I wrote this song after watching a tik tok video posted the link to the video below
https://ift.tt/3ojticb

Earth is ghetto I wanna leave
can you beam me up
Im outside on the street
by the corner store , you know the one on 15 th
got a bright shirt on so I’m easy to see
I been down here stranded
Indefinitely
I can’t reach my planet
but I need to leave
you should see these people
It’s hard to believe
how they treat
Each-other
It’s hard to conceive

earth is ghetto
I wanna leave

They have the hungry starving
nothing to eat
The homeless living
out on the street
And the sick are dying
Crooked police
Politicians lying
Criminals on the street
I got five on fuel if you need it from me
I’ll sit in the back if we riding too deep
Better lock the doors, these people lie steal and cheat
Roll the windows up, so we can head out in peace

Earth is ghetto
I wanna leave

I been down here stranded
Indefinitely
I can’t reach my planet
but I need to leave
you should see these people
It’s hard to believe
how they treat
Each-other
It’s hard to conceive

earth is ghetto
I wanna leave

via YouTube