Which Affordable American City is Better Planned?

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Birds vs the Bears in this episode. (but also I love both of these places even if I be a metra hater sometimes).

The Armchair Urbanist Series:

My Second Channel:
https://www.youtube.com/channel/UC3VLdvwf4NKDkCYAiB0NAhw

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Philadelphia, PA 19104

Time Stamps:
0:00 Intro
1:21 Airport Connections
2:17 Regional & Commuter Rail
3:50 Metro Systems
5:00 Bike Lanes
6:01 Street Sizes
6:49 Intercity Travel
8:16 More Train Services
8:42 Outro

via YouTube

Now THIS is Spatial Computing

Videos

We finally got Valve’s Gamescope Linux compositor running in Steam VR! This is a big deal and I wanted to explain in full detail why that is

This is basically a follow of a previous video known as “Deckard is Valve’s Spatial Computer”

Info on Stardust XR: https://stardustxr.org/
Support me on https://ift.tt/58uPT0q

Previous Deckard video: https://www.youtube.com/watch?v=qUnG9V4LoVk

#Valve #Deckard #steamdeck

via YouTube

Troye Sivan – Rush (Official Video)

Videos

Stream or download “Rush” by Troye Sivan here: https://ift.tt/6UI02GM

Follow me!
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https://twitter.com/troyesivan
https://youtube.com/user/TroyeSivan18
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https://ift.tt/LGHJDQj
https://ift.tt/HJCk6Ts

Director: Gordon von Steiner
DOP: Stuart Winecoff
Production Company: BWGTBLD GmbH
Artist Management: Dani Russin, Brandon Creed
Video Commissioner/Associate Producer: Kevin Kloecker
Executive Producer: Susa Ehlers
Producer: Josefine Bothe
Production Coordinator: Amélie Geiss
Director’s Producer/EP: Kelly McGee

Stylist: Larissa Bechtold
Styling Assistant: Zack Steiner-Fox
Styling Assistant: Camille Pailler
Styling Assistant: Joan Ling Lee Nesbit-Chang
Tailor: Elsa Lequevaques

Make-Up: Jana Kalgajeva
Make-Up Assistant: Nadine Vieker
Make-Up Assistant: Timo Blum
Make-Up Assistant: Nina Isabella Luckat
Make-Up Assistant: Anri Omori
Make-Up Assistant: Lee Hyangsoon
Hair Stylist: Janina Zais
Hair Assistant: Fabienne Hoppe
Hair Assistant: Nikolas Paroutis
Special Thanks: David Friend

Choreo
Choreographer: Sergio Reis
Assistant Choreographer & Dancer: Mauro Van De Kerkhof
Dancer: Luca Aigner
Dancer: Jowha Van De Laak
Dancer: Daniel Asamoah
Special Thanks: The Company Berlin by Jouana Samia

Cast
Troye Sivan
Moritz H.
Lucas S.
Lin B.
Marius E.
Keno V. K.
Anetta H.
Seyram A.
Antonia L.
Rebecca A.
Hannah A.
Steven F.
Liza E.
Gloria P.
Sol R.
Oluwatoniloba D.
Laetitia O.
Nicholas R.
Lenny D.
Felipe F.
Luis P.
Jimmiz.
Filipe A.
Aleksander N.
Rex A.

Casting Direction: Kyra Sophie
Casting Direction: Ananya Nisbet Olga Sikorska
Casting Direction: Maria Defant
Cast Coordinator: Melis Celebi

Crew
Art Director: Leonie Britz
Art Director: Lilo Kunkenberg
Set Dresser: Thabo Paul
Art Assistant: Kevin Vietzke
Location Manager: Lukas Baasch
Production Assistant: Christoph Michele
Production Assistant: Gabriel Orlando
1st AD: Matthias Nerlich
2nd AD: Fritz von der Heydt
1st AC: Franz Deutschmann
2nd AC: Andrea Pedrinelli
VTR: Kevin Schulze
Gaffer: Ben Erdenberger
Best Boy: Toni Schultz
Electrician: Florian Heinrich
Electrician: Falk Buchröder
Electrician: Hans Ulrich Graefe
Electrician: Christopher Reiners
Electrician: Fynn Koppenbrink
Key Grip: Florian Sanitz
Grip Assistant: Karem Fassel
Artist Driver: Magnus Habekost
Unit Driver: Grzegorz Woliñski
Driver/Runner: Max Schippmann
Driver/Runner: Daniel Grave
BTS Video: Shira Kela
BTS Photo: Marina Monaco
BTS 16mm: Alexander Ronsdor

Post
Editor: Gordon von Steiner
Development & Scan: Cinegrell Berlin
Color Grade: Mikey Rossiter at Rare Medium
Retouching & Finishing: Saint George Studio
Sound Design: Moritz Staub

Title Design: Querida
Special Thanks: Joe Mortimer

An EMI Recorded Music Australia Production © 2023 Universal Music Australia Pty Ltd.

#TroyeSivan #Rush

via YouTube

One of the BIGGEST games in the world is coming to VR

Videos

Hello and welcome to.. TUESDA- I MEAN.. THURSDAY NEWSDAY! Your number one resource for the entire weeks worth of VR news! We have a TON of interesting VR news this week, from PSVR2 gaining SteamVR/ PCVR support to Apple’s estimated headset target dropping by 85% to Quest 2 updates… a new BCI.. oh! AND OF COURSE! the biggest game in the world, Roblox, coming to Quest 2 and 3 very soon.

A LOT is happening.

iVRy twitter:
https://twitter.com/iVRy_VR

I am also having a community meetup collaboration with PHIA this weekend! Come on out to enjoy some music, pictures, and a good time!
(both events this weekend)
https://ift.tt/YETApJM
https://ift.tt/uTpdIfk

my links:
My links:
Disord.gg/thrill
Patreon.com/thrillseeker
Twitch.tv/Thrilluwu
Outro music:

TIMESTAMPS:
00:00 Intro
00:49 Wisear
01:46 Vision Pro
03:30 Quest Updates
04:19 Roblox
08:37 Meme Break
09:2 PSVR2
10:29 SCHISM x TVRS Studio Summer Rave!
10:49 QOTW
13:21 Outro

via YouTube

The Most Visually STUNNING Quest Games (imagine these on Quest 3)

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It’s pretty insane what kind of graphics Quest 2 can pull off. Imagine what these will look like on Quest 3!
► Check out EasySMX Q20 Head Strap (Prime Deal 20%): https://amzn.to/3CMe6xP
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We all know that Quest games aren’t typically known for their high-end graphics due to the limitations of mobile hardware. However, there are three games out there that have truly broken this mold, delivering stunning visuals. Let me showcase these games to you today in case you haven’t checked them out yet. So join me beyond reality.

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A SPECIAL THANKS to these Patreon Champs 🛡️ for their support:

😘 Ztreak, Albert R., Ben P., Steve D., Thomas M. Rice, Andy F., Nathan S., Old Lady Gamer, Jon C.

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DISCLAIMER
Thanks to EASYSMX for supporting the channel today by sponsoring a segment in this video. Per our guidelines, no review direction was received. Our opinions are our own.

Links in this description may contain affiliate links. We may earn a small referral fee from qualifying purchases that support the channel (at no extra cost to you).

#quest2 #quest3 #explorewithquest #casandchary

VR on! – Cas and Chary VR

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ADOS and Caste discrimination

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Progress is being made on SB 403, a California bill to prohibit caste discrimination, despite the protests and opposition of upper-caste people of South Asian descent. However, I’d argue that African Americans who are descendants of U.S. enslaved people should find a stake in this legislation.

There is an argument to be made for African Americans who are descendants of antebellum slaves to claim a stance against caste discrimination. The slave status had a unique impact upon the immediate generations of those enslaved as well as their descendants, even to the present. Those who are descended from antebellum slaves cannot claim descent from willful immigrants who switched their prior nationalities to embrace that of the U.S. citizen. They also cannot claim to be indigenous, aboriginal or autochthonous in their historical ties to the land claimed by the United States. Instead, their ties to this nation are rooted exclusively in the enslavement of their ancestors on this land. 

Race, including biases and prejudices along such lines, cannot and does not explain this status and its implications upon this community. The ADOS movement correctly claims that “lineage” from the enslaved entitles this community to specific legal consideration distinct from more recent immigrants of African, Afro-Caribbean or Afro-South American origin. 

But the word lineage, arguably, does not exactly entail the historic socio-economic, political, environmental, ethical and institutional treatment of those who are of said lineage. Isabel Wilkerson’s thesis of the distinct position of the American descendant of slaves within an hierarchy of submission and exclusion as a “caste” position goes further to encompass this status position. 

It is therefore of interest to those who seek continued structural transformation to eliminate and undermine this system, to allow for more race-neutral avenues to enable total socio-economic mobility for African-Americans, to embrace the legal prohibition of discrimination against perceived lower castes of society in the United States. 

It would be in the interests of advocates for racial justice to also tackle discrimination on the basis of caste against the descendants of freedmen. By treating descendants of freedmen as a socio-economic caste parallel to an ethnic group, legal discussion of race can become divorced somewhat from the specific conditions visited upon these descendants as opposed to others who faced lesser acts of institutional discrimination.