In this tutorial I show you how to create a Face Split Effect in the Spark AR Studio for Instagram. Using alpha masks and animations.
Mask Asset Download:
https://ift.tt/2Nl3WhIDownload my filters – https://ift.tt/2NKuIQr
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Instagram – @danieljschwarz
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This is a song by Aliah Sheffield. Background vocals by RAHBI. Music by Noah Schak Farlot. Percussion by Damon Grant. No copyright infringement intended.
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Rina Sawayama – Comme Des Garçons (Like the Boys)
Taken from the album SAWAYAMA – Out Now – https://ift.tt/2YrMwmmDirected by Eddie Whelan
Creative director: Ben Ditto
Primary styling: Danielle Emerson
Secondary styling: Marissa Baklayan
Primary hair stylist: Yusuke Moriota
Secondary hair stylist: Gregg Lennon
Primary make-up: Ana Takahashi
Secondary make-up: Calvin Chan
Choreography: Ryan Chappell
Additional filming: Chester Lockhart
Primary makeup: Tomomi Shibusawa – Lead Artist for Shiseido Makeup
Secondary makeup: Ana Takahashi
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After a chance encounter on the beach, they fell in love and wouldn’t let anything stop them from being together, not even their significantly different cultures and opposing parents. Starring Ini Dima-Okojie and Ruslaan Mumtaz, #NamasteWahala arrives 14 February.
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https://ift.tt/316TWLzNamaste Wahala | Official Trailer | Netflix
https://www.youtube.com/c/AfricaOnNetflixAn interracial romance hits humorous and heart-wrenching hiccups as the couple’s parents fight tooth and nail against their relationship.
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An examination of Strange Days as it relates to police brutality in America and the likelihood of conviction following a recording of police murdering African-Americans. Support Renegade Cut Media through Patreon: https://ift.tt/19EGd2l
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Tumblr: https://ift.tt/1xzIO1BBlack Lives Matter
Strange Days is a 1995 science fiction film directed by Kathryn Bigelow. On the eve of the new millennium, Los Angeles is in chaos. Protesters believe they are living in a police state, and famous rap artist and activist Jeriko One has been murdered. Lenny, an ex-cop, deals in clips – the memories of individuals who record their experiences with a device called a SQUID. Lenny and his close friend Mace learn through one of these “clips” that the LAPD murdered Jeriko One. Lenny and Mace hope to prove this. What’s fascinating about Strange Days is that it depicts a future of oppression – a common dystopic science fiction premise – but it purposefully eschews the trope that usually links them all together. In a sci-fi dystopia, something common is scarce – either through a lack of resources or because it is illegal. Not something like the black market science fiction technology of Strange Days. Something everyday.
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❤️ Their mentioned post is available here: https://ift.tt/2JVwmNm📝 The paper “Deformable Neural Radiance Fields” is available here:
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This machinima, shot in Second Life, documents L1Aura Loire’s SL6B virtual art installation. The first part is the narrative of the installation; it is the year 2499 on the gloomy meteor. The second part of the machinima draws on the artist statement for the installation.
The installation was originally for the sixth birthday celebration of Second Life, which took place on a “meteor” that was far from the sun. In making my piece, I imagined what role virtual worlds would have for the poor, stuck meteor people, and that is what is documented in this video. My own vision of the future is much more optimistic, and although I see the compensatory function of virtual worlds (and popular culture in general) as an important one, I have also come to see the act of toggling, or switching, between different modes of subjectivity that will become more prevalent as augmented reality forms proliferate to be just as interesting.
Presentation at Fiteiro Cultural in Second Life, shown live at Mercosul Biennial of Porto Alegre, Brazil, November 2009, and shown live at Utopics Swiss Sculpture Exhibition, Biel/Bienne, Switzerland, August 2009.
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