Facts about the Georgia PSC runoff

Facts about the PSC runoff:

  • The GOP has won all six runoffs for PSC since the first runoff in 1992 (Democrat John Frank Collins v. Republican Bobby Baker).
  • The challenge for Daniel Blackman, as it was for Lindy Miller in 2018, has been to both ride the coattails of the marquee runoffs and also emerge from their shadow as an important statewide race at the same time.
  • Only twice – 1998 (special) and 2006 – has there been a PSC runoff as the only partisan runoff on the ballot.
  • The frequency of PSCs runoffs tracks closely with the slow rurally-driven collapse from 1992 to 2010 and the (sub)urban-driven re-emergence since 2018 of Georgia Democrats as a serious party intent on fighting for power.
  • There is no national 527 or PAC organization of Democrats dedicated to organizing fundraising and campaign ads for PSCs in the same way that there is for Democratic candidates for governor (DGA), secretary of state (DASS) and attorney-general (DAGA), at least not in the 11 states which hold partisan PSC elections.
  • Blackman and McDonald’s percentage in November track closely with Miller and Eaton’s initial percentage in November 2018.
  • Blackman would be only the second African American on the body in its history, following David Burgess who was defeated in his only re-election bid in 2006 by Chuck Eaton.
  • Despite Blackman having went up against McDonald once before in 2014 (a dismal year for Democrats at all levels), this runoff promises to be a lot closer in the final percentage.

Runoff Elections in Georgia are Racist

Think about it:

  1. the county unit system, combined with the white primary until 1945, was racist and biased against urban voters.
  2. when the county unit system was struck down in 1963, the beneficiaries of the county unit system in the General Assembly voted to switch to runoff voting for future elections in order to prevent “Negroes” from “bloc voting” by allowing white voters to vote as a “bloc” in the second round.
  3. when Wyche Fowler was defeated in a runoff by Paul Coverdell in 1992, the Democrats in the General Assembly voted to switch to plurality voting, only triggering a runoff if the winning candidate received 45% in the first round. The rural voters continued to bleed to the GOP, who restored the runoff requirement when they took the General Assembly in 2005.
  4. the number of runoffs statewide has increased as the two parties have realigned and the Atlanta ring has widened, from one each in 2006 (PSC) and 2008 (Senate) to two in 2018 (SoS and PSC) to three in 2020 (two Senate, 1 PSC).

So how many December-January runoffs are we going to have in 2022? And how are we supposed to excuse the baldly-racist justification of the runoff system?

𝐊𝐚𝐢- 𝐌𝐦𝐦𝐡 음 (𝐬𝐥𝐨𝐰𝐞𝐝 𝐝𝐨𝐰𝐧 + 𝐫𝐞𝐯𝐞𝐫𝐛)

(o^^o) open! open! open!

Comment section: horny

GUYS GO STREAM THE MV FIRST!!!! I DONT WANT THIS TO AFFECT THE VIEWS OF THE MV 🥺🙏🏻🙏🏻🙏🏻 https://youtu.be/Fc-fa6cAe2c

||resources||
Pic:
Song: Mmmh by Kai

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#mmmh
#mmmhslowed

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GO STREAM THE MV!!: https://youtu.be/Fc-fa6cAe2c
ALL CREDITS TO THE RIGHT OWNERS!! I do not own the picture or audio

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Celebrations Around The U.S. As Joe Biden Projected President-Elect | NBC News

Watch live coverage from around the country as supporters of Joe Biden gather to celebrate as he is projected to be president-elect.

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Watch live: Celebrations around the U.S. as Joe Biden projected president-elect

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Interconnection, Visionary Projection Mapping, Winner of iMapp 2016, 4K Official Video

iMapp 2016
Winner of the Jury’s Choice Award
Winner of the People’s Choice Award

Silver A’ Design Award

The piece focuses on the interconnectedness of all things, the micro and the macro, the outer and the inner universe. Connecting logical and emotional, individuals and society, art and audience, planet and galaxies, architecture and animation. Even though we often lose touch with the bigger picture, we are all part of a cosmic network. It’s only the false perception of the human mind that inner and outer are separated, causing confusion and misunderstanding in the world sometimes.

The piece is aiming to reopen the dialogue between the internal and external through a cinematic journey from the state of separation to the state of eternal openness. We aimed to draw from contemporary visionary art and architecture, sacred geometry, even physics and chemistry to turn the Palace of Parliament into a vibrant, endlessly beautiful scenery of our symbolic dialogue. Integrating the architectural characteristics of the facade into our artwork was also a key element in the concept, adding extra value to this conversation between artist and audience, the city and its citizens.

Director: Antonin Križanić
Visual Design: Antonin Križanić, Dávid Vígh
Producer: István Dávid
Music: AMB – Set in Stone
Sound fx: Fine Cut Bodies
Animation: Antonin Križanić, Dávid Vígh, Viktor Vicsek, Csaba Világosi, Máté Fekete, Miklós Már

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Real Time Tracking & Projection Mapping (Full ver.)

The high speed Real-Time Tracking and Projection Mapping system will enable high resolution (1920 x 1080) images at 10,000 lumens ANSI brightness to be mapped onto fast-moving objects, such as performers on stage, with masking and trimming applied over video and fed to the projector in real time. The technology dovetails with high-brightness Panasonic’s 3-Chip DLP(TM) SOLID SHINE laser projectors adapted to rental and staging applications.

For more information, please visit our global website:
Projector Global site
https://ift.tt/2WtVsFI

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WOW|INORI – PRAYER-

作品について
最新鋭1000fpsプロジェクターと超高速センシングによるリアルタイムトラッキング&フェイスプロジェクションマッピングの最新作「INORI -PRAYER-」が公開。本作は、浅井宣通(WOW)の呼びかけにより、TOKYO( https://ift.tt/2ohbmB7 )、ダンスユニットAyaBambi、東京大学石川渡辺研究室とのコラボレーションから誕生した。
本作は、ディレクターを務めた谷川英司氏(TOKYO)が提案した「生命」をテーマに楽曲を制作したところから開始。楽曲から受けたインスピレーションを元に、クリエイティブ・テクニカルディレクター浅井(WOW)とCGディレクター阿部伸吾(WOW)がビジュアル制作とプログラミングを構築。更にAya Sato氏がコレオグラフを作り上げ、TOKYOが映像作品として完成させた。
本作では、最新鋭の1000fpsプロジェクターDynaFlash(※1)と超高速センシングの使用により、これまで不可能だった激しいパフォーマンスも追従できるフェイスマッピングシステムを実現。トラッキングを高速化することによりパフォーマンスの自由度が失われるという開発当初のジレンマを解消すべく、WOWチーム、渡辺教授、手島氏(EXVISION)は約三ヶ月に渡り数ミリ秒を削るためトライ&エラーを繰り返し、今回のシステム(※2)を完成。プロジェクションされたイメージは、それ自体が皮膚の一部と一体化しているようにも見え、被写体の顔が変形・変質する際の表現力を飛躍的に高めた。
※1: 東京大学石川渡辺研究室と東京エレクトロンデバイスが共同で開発し、東京エレクトロンデバイスが製品化。
※2: 手のトラッキング&プロジェクションマッピングは、東京大学石川渡辺研究室が開発したダイナミックプロジェクションマッピング技術を使用。顔のトラッキングは、WOW inc.が開発したフェイスマッピング技術を使用。

AyaBambi▶https://ift.tt/2lQ4UDH
TOKYO▶https://ift.tt/2ohbmB7
東京大学石川渡辺研究室▶https://ift.tt/1cN5IOM

Credits
Creative Director / Technical Director:Nobumichi Asai[WOW]
CG Director:Shingo Abe[WOW]
Programmer:Atsushi Yoshimura[WOW]
Assistant Producer:Ayaka Motoyoshi[WOW]

Director / Editor:Eiji Tanigawa[TOKYO]
Director of Photography:Senzo Ueno[TOKYO]
Producer:Toshiyuki Takei, Shinya Masuda[TOKYO]
Production Manager:Minami Chiwaki, Yuma Yoshimura, Kohei Takayama[TOKYO]
Making Director:Suzuko Ohgaki[TOKYO]

Choreographer:Aya Sato
Cast:AyaBambi
Management:Oi-chan

Shootings
Gaffer:Tomohiro Takahashi
Light Assistant:Hisashi Morikawa, Mie Inaba, Akihiko Imai
Camera 1st Assistant:Takashi Ideguchi
Camera 2nd Assistant:Shibuya Hiromi, Fujii Ryosuke
Music:Setsu Fukushima, Ryosuke Taniguchi[Ongakushitsu Inc.]
Music Composer:Yosuke Nagao

Colorist:Yasuo Fukuda
Online Editor:Ryota Abe

PR
Mizuki Kawano [School]
Tomoyuki Sawada [Kartz Media Works]
Natsuki Taguchi [Kartz Media Works]

Special Thanks
Yoshihiro Watanabe[Ishikawa Watanabe Laboratory,University of Tokyo]
Masatoshi Ishikawa[Ishikawa Watanabe Laboratory,University of Tokyo]
Tomoaki Teshima[Exvision]

TOKYO ELECTRON DEVICE LIMITED
Takeshi Yuasa, Kiwamu Sumino, Hiroshi Watase, Toru Yamashita
Atsuko Kushima, Tomoaki Kiguchi

WOW inc.
website: https://www.w0w.co.jp/
Vimeo: https://ift.tt/1bhkM8s
Facebook: https://ift.tt/2PZRsrt
Twitter: https://twitter.com/wow_tokyo
Instagram: https://ift.tt/2O3KvIo

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Oculus Quest 2: First Steps

Immerse yourself into new worlds and experience what it feels like to #PlayforReal with Quest 2. Learn more at https://ift.tt/35DgcAO

Star Wars: Tales from the Galaxy’s Edge
https://ift.tt/3amUDGW

The Walking Dead: Saints & Sinners
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Medal of Honor: Above and Beyond
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Beat Saber
https://ift.tt/3amUHqa

Jurassic World Aftermath
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Real VR Fishing
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The Climb 2
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POPULATION:ONE
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