2012 Folk Alliance International Business/Academic Lifetime Achievement Award recipient Highlander Research & Education Center

The Elaine Weissman Lifetime Achievement Awards are presented each year during the annual Folk Alliance International conference to honor the cultural impact of legendary folk music figures, one Living, one Legacy, and one Organizational/Academic. As a part of the award process, FAI produces a short-documentary to commemorate these great artists and to provide a resource to the community sharing the rich history and lasting cultural influence of folk music.

We hope that you enjoy and share this video. Visit folk.org/LAA to access the full archive of short documentary films featuring past honorees.

Folk Alliance International (FAI) is the leading international voice for folk music – connecting artists and leaders to sustain the community and genre. A global non-profit arts organization, FAI is proudly based in Kansas City, Missouri. http://www.folk.org

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Nite and Day · Meshell Ndegeocello

Ventriloquism

℗ Naïve, a division of Believe

Released on: 2018-03-16

Author: Albert Joseph Brown III
Composer: Albert Joseph Brown III
Music Publisher: EMI April Music Inc. / Across 110th St. Publishing / Willarie Publishing
Author: Kyle West
Composer: Kyle West

Auto-generated by YouTube.

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Fleetwood Mac – Dreams from 1977 with lyrics below

LYRICS:

Now here you go again
You say you want your freedom
Well, who am I to keep you down?
It’s only right that you should
Play the way you feel it

But listen carefully to the sound
Of your loneliness
Like a heartbeat drives you mad
In the stillness of remembering
What you had
And what you lost…
And what you had…
And what you lost

(Oooooh)

Oh, thunder only happens when it’s raining
Players only love you when they’re playing
Say, women…they will come and they will go
When the rain washes you clean, you’ll know
You’ll know

Now here I go again, I see, the crystal visions
I keep my visions to myself
It’s only me
Who wants to wrap around your dreams and
Have you any dreams you’d like to sell?
Dreams of loneliness…
Like a heartbeat drives you mad…
In the stillness of remembering
What you had
And what you lost…
What you had…
Ooh, what you lost

Thunder only happens when it’s raining
Players only love you when they’re playing
Women, they will come and they will go
When the rain washes you clean, you’ll know

Oh, thunder only happens when it’s raining
Players only love you when they’re playing
Say women, they will come and they will go
When the rain washes you clean, you’ll know
You’ll know
You will know
Oh, oh, oh you’ll know

NO COPYRIGHT INFRINGEMENT INTENDED in this video. This was uploaded for entertainment purposes ONLY. Property of Warner Music Group.

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Your drumming goals start HERE:
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“Smooth Criminal” is one of Michael Jackson’s most iconic songs – and we were lucky enough to have his actual drummer (who toured with him for over 30 years) come to our studio and perform it!

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About Jonathan:
Jonathan “Sugarfoot” Moffett has recorded and/or toured with some of the greatest pop artists of our time, including Elton John, Janet Jackson, The Jacksons, Cameo, Lionel Richie, George Michael, Kenny G, Doug Miller, Peter Cetera, Bill Meyers, and Cirque du Soleil, besides guest appearing at popular television shows like The Tonight Show, Good Morning America, Saturday Night Live, and The Arsenio Hall Show.

Among his biggest musical feats, none come close to his extensive work with the all-time greatest pop artists of the last 100 years: Madonna and Michael Jackson. Jonathan toured extensively with Madonna and recorded drums for several of her albums, including “True Blue” and “Like A Prayer”. As for the king of pop himself, Jonathan was his drummer for The Destiny Tour, Triumph Tour, Victory Tour, 1988 Grammy Awards with Michael, HIStory Tour, Michael Jackson: 30th Anniversary Celebration, This Is It, & Cirque’s Immortal World Tour.

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Link to “What if the Atlantic Slave Trade Never Happened?” https://www.youtube.com/watch?v=6q6JQL2TISw&t=41s

I considered having the Kaiser win WW1 here since in a world in which today’s South never existed, neither would our buddy Woodrow. Also, without the Civil War the US would be a less unified country and less expansionistic. Thus, the US would never get involved in WW1 and the Germans would win the Kaiserschlacht of spring 1918. In the end I thought it was too much a stretch though. What do you think?

Also, I really dislike a “Connecticut Yankee in King Arthur’s Court” since it viewed the people of the 6th century with such condescension. There is no correlation between technological level and general intelligence. If a 19th century man knew how to make guns in the 6th century, some clever blacksmith would have figured it out and caused an arm’s race. Also, a large part of it seemed to be American chest beating and poking blame at Britain’s class system at the time.

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A behind the scenes look at the groundbreaking virtual production technology used on The Mandalorian, Season One.

Over 50 percent of The Mandalorian Season 1 was filmed using this ground-breaking new methodology, eliminating the need for location shoots entirely. Instead, actors in The Mandalorian performed in an immersive and massive 20’ high by 270-degree semicircular LED video wall and ceiling with a 75’-diameter performance space, where the practical set pieces were combined with digital extensions on the screens. Digital 3D environments created by ILM played back interactively on the LED walls, edited in real-time during the shoot, which allowed for pixel-accurate tracking and perspective-correct 3D imagery rendered at high resolution via systems powered by NVIDIA GPUs. The  environments were lit and rendered from the perspective of the camera to provide parallax in real-time, as if the camera were really capturing the physical environment with accurate interactive light on the actors and practical sets, giving showrunner Jon Favreau, executive producer and director Dave Filoni, visual effects supervisor Richard Bluff, and cinematographers Greig Fraser and Barry Baz Idoine, and the episodic directors the ability to make concrete creative choices for visual effects-driven work during photography and achieve real-time in-camera composites on set.

The technology and workflow required to make in-camera compositing and effects practical for on-set use combined the ingenuity of partners such as Golem Creations, Fuse, Lux Machina, Profile Studios, and ARRI together with ILM’s StageCraft virtual production filmmaking platform and ultimately the real-time interactivity of the Unreal Engine platform.

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Movie : Back to the future (1985)
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Deepfakes tutorials by Derpfakes :
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Stoked to premiere a beat off the new Flitz&Suppe album Ijin (out via Beat Jazz International).

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