Tag Archives: african-american

On racedep and immigration

The wedge argument that the ADOS/FBA/AfAm nativist movements hinges upon is that African Americans who were enslaved on American plantations are uniquely disadvantaged compared to even other Americans (Afrodescendant or otherwise) who immigrated voluntarily.

Unfortunately, the ADOS/FBA/AfAm nativist movements parlay this wedge into helplessness and futility toward the WASP American power structure, as well as a wide-ranging angst and contempt against almost everyone else in the world.

For liberals and progressives, what is the utility of this wedge which separates descendants of the antebellum enslaved in the United States from descendants of those enslaved elsewhere?

How do those who do not share in the mythology of the voluntary immigration experience – particularly of the depiction of immigration as a formative, affirmative rite of passage and ethnogenesis – deal with this wedge in a healthier way than ADOS’ nativism? Or, alternatively, being a Black expat?

I fear that progressives and liberals do not yet have an answer to this wedge, no way to resolve the contradiction of a big tent bringing together descendants of slaves, immigrants, aborigines and settlers.

Enough of the big tent broke ranks to vote against that solidarity and sacrifice some immigrants’ dreams, livelihoods and potentially lives in the name of security and certainty.

We need a better arrangement to bridge this wedge, a liberalism which can respect and celebrate immigrant experiences while respecting that it’s not a formative experience for some ethnicities and may be less pleasant to experience in reverse from the most powerful country on earth.

We need a liberalism which can promote immigration as a benefit for those who did not experience immigration, even for those who are descendants of forced migration and enslavement like myself.

Racedep (race depolarization) happened this election, to the benefit of anti-immigrant, anti-urban conservatives like Donald Trump. Promoting an alternative integrative social contract will be a major task of the post-Obama Democratic coalition.

Fancasting About the NAACP Image Award for Outstanding Animated Motion Picture

At the very least, the following should be nominated or shortlisted this year:

  • Spider-Man: Across the Spider-Verse
  • Wish
  • Craig Before the Creek
  • Teenage Mutant Ninja Turtles: Mutant Mayhem

Last year, in addition to Wendell & Wild (the winning entry), the following should have been nominated:

  • Entergalactic
  • The Sea Beast
  • Lightyear
  • Strange World

ADOS and Caste discrimination

Progress is being made on SB 403, a California bill to prohibit caste discrimination, despite the protests and opposition of upper-caste people of South Asian descent. However, I’d argue that African Americans who are descendants of U.S. enslaved people should find a stake in this legislation.

There is an argument to be made for African Americans who are descendants of antebellum slaves to claim a stance against caste discrimination. The slave status had a unique impact upon the immediate generations of those enslaved as well as their descendants, even to the present. Those who are descended from antebellum slaves cannot claim descent from willful immigrants who switched their prior nationalities to embrace that of the U.S. citizen. They also cannot claim to be indigenous, aboriginal or autochthonous in their historical ties to the land claimed by the United States. Instead, their ties to this nation are rooted exclusively in the enslavement of their ancestors on this land. 

Race, including biases and prejudices along such lines, cannot and does not explain this status and its implications upon this community. The ADOS movement correctly claims that “lineage” from the enslaved entitles this community to specific legal consideration distinct from more recent immigrants of African, Afro-Caribbean or Afro-South American origin. 

But the word lineage, arguably, does not exactly entail the historic socio-economic, political, environmental, ethical and institutional treatment of those who are of said lineage. Isabel Wilkerson’s thesis of the distinct position of the American descendant of slaves within an hierarchy of submission and exclusion as a “caste” position goes further to encompass this status position. 

It is therefore of interest to those who seek continued structural transformation to eliminate and undermine this system, to allow for more race-neutral avenues to enable total socio-economic mobility for African-Americans, to embrace the legal prohibition of discrimination against perceived lower castes of society in the United States. 

It would be in the interests of advocates for racial justice to also tackle discrimination on the basis of caste against the descendants of freedmen. By treating descendants of freedmen as a socio-economic caste parallel to an ethnic group, legal discussion of race can become divorced somewhat from the specific conditions visited upon these descendants as opposed to others who faced lesser acts of institutional discrimination. 

Animation at the NAACP Image Awards

This is a list of past accolades and nominations for animated works at the NAACP Image Awards. The Image Awards have nominated animated works and/or voice-over actors as far back as 1996, when Denzel Washington won an Image Award for Outstanding Performance in a Youth/Children’s Series or Special in the animated anthology series Happily Ever After: Fairy Tales for Every Child. Dora the Explorer was the first animated to receive an award in its own right.

The first animated film to receive a nomination for an Image Award was The Princess and the Frog, with Anika Noni Rose being the first voice-over actor to receive a nomination for work in a film.

Dora the Explorer received the most nominations for Outstanding Children’s Program, while Doc McStuffins received the most wins in this category. Notably, Disney’s The Proud Family franchise received nominations for in five consecutive years and never won.

Starting in 2015, a category was created for outstanding voice-over performances, with Idris Elba becoming the first to win in this category (and the first to win an award for an animated film). Starting in 2021, however, a larger number of categories were created for animation, with Disney’s Soul becoming the first animated film to win an Image Award (namely the inaugural award for Outstanding Animated Motion Picture), and Disney’s Doc McStuffins winning the inaugural Outstanding Animated Series award.

To note, this does not mean that all of the works being nominated have any African-American characters. Some may have Black voice-overs, or even production crew members.

28th NAACP Image Awards

Outstanding Performance in a Youth/Children’s Series or Special

  • Denzel Washington – Happily Ever After: Fairy Tales for Every Child (For episode \”Rumpelstiltskin\”)
    • Whoopi Goldberg – Happily Ever After: Fairy Tales for Every Child (For episode \”Rapunzel\”)
    • James Earl Jones – Happily Ever After: Fairy Tales for Every Child (For episode \”The Valiant Little Tailor\”)
    • Sinbad – Happily Ever After: Fairy Tales for Every Child (For episode \”The Frog Prince\”)
    • Danny Glover – Happily Ever After: Fairy Tales for Every Child (For episode \”The Frog Prince\”)

29th NAACP Image Awards

No animated work nominated.

30th NAACP Image Awards

  • Denzel Washington – Happily Ever After: Fairy Tales for Every Child (For episode “Mother Goose”)
    • Avery Brooks – Happily Ever After: Fairy Tales for Every Child (For episode “The Golden Goose”)
    • Chris Rock – Happily Ever After: Fairy Tales for Every Child (For episode “Pinocchio”)
    • LeVar Burton – Reading Rainbow
    • Ronald Daise – Gullah Gullah Island
    • Natalie Daise – Gullah Gullah Island

31st NAACP Image Awards

No animated work nominated.

32nd NAACP Image Awards

Outstanding Children’s Program

  • Bill Cosby – Little Bill
    • Ruby Dee – Little Bill
    • LeVar Burton – Reading Rainbow
    • Ossie Davis – Finding Buck McHenry
    • Alfre Woodard – The Wishing Tree

33rd NAACP Image Awards

Outstanding Children’s Program

  • Teen Summit
    • Little Bill
    • The Proud Family
    • Reading Rainbow
    • Sesame Street

34th NAACP Image Awards

Outstanding Performance in a Youth/Children’s Series or Special

  • LeVar Burton – Reading Rainbow
    • Tommy Davidson – The Proud Family
    • Jo Marie Payton – The Proud Family
    • Kyla Pratt – The Proud Family
    • Keshia Knight Pulliam – What About Your Friends: Weekend Getaway

35th NAACP Image Awards

Outstanding Performance in a Youth/Children’s Series or Special

  • Raven-Symoné – That’s So Raven
    • Cree Summer – All Grown Up!
    • Tommy Davidson – The Proud Family
    • Kyla Pratt – The Proud Family
    • Lynn Whitfield – The Cheetah Girls

36th NAACP Image Awards

Outstanding Performance in a Youth/Children’s Series or Special

  • Raven-Symoné – That’s So Raven
    • Tommy Davidson – The Proud Family
    • Jo Marie Payton – The Proud Family
    • Kyla Pratt – The Proud Family
    • LeVar Burton – Reading Rainbow

Outstanding Children’s Program

  • That’s So Raven
  • The Proud Family
  • Reading Rainbow

37th NAACP Image Awards

Outstanding Performance in a Youth/Children’s Series or Special

  • Raven-Symoné – That’s So Raven
    • Kevin Clash – Sesame Street
    • Kyla Pratt – The Proud Family Movie
    • Tommy Davidson – The Proud Family Movie
    • Jo Marie Payton – The Proud Family Movie

38th NAACP Image Awards

Outstanding Children’s Program

  • That’s So Raven
    • The Backyardigans
    • Dora the Explorer
    • Romeo!
    • High School Musical

Outstanding Performance in a Youth/Children’s Series or Special

  • Raven-Symoné – That’s So Raven
    • Corbin Bleu – High School Musical
    • Kathleen Herles – Dora the Explorer
    • Kyle Massey – That’s So Raven
    • Lil Romeo – Romeo!

39th NAACP Image Awards

Outstanding Children’s Program

  • That’s So Raven
    • Cory in the House
    • Dora the Explorer
    • Go, Diego, Go!
    • High School Musical 2

Outstanding Performance in a Youth/Children’s Series or Special

  • Raven-Symoné – That’s So Raven
    • André 3000 – Class of 3000
    • Kathleen Herles – Dora the Explorer
    • Kyle Massey – Cory in the House
    • Lil’ JJ – Just Jordan

40th NAACP Image Awards

Outstanding Children’s Program

  • Dora the Explorer
    • Cory in the House
    • Go, Diego, Go!
    • True Jackson, VP
    • The Cheetah Girls: One World

Outstanding Performance in a Youth/Children’s Series or Special

  • Keke Palmer – True Jackson, VP
    • Kyle Massey – Cory in the House
    • Charly Tyner – Dora the Explorer
    • Lil’ JJ – Just Jordan
    • Selena Gomez – Wizards of Waverly Place

41st NAACP Image Awards

Outstanding Motion Picture

Outstanding Actor in a Motion Picture

Outstanding Children’s Program

Outstanding Performance in a Youth/Children’s Program – (Series or Special)

42nd NAACP Image Awards

Outstanding Children’s Program

  • True Jackson, VP
    • Brave New Voices 2010
    • The Backyardigans
    • Dora the Explorer
    • Wizards of Waverly Place

43rd NAACP Image Awards

Outstanding Children’s Program

  • HBO Documentary Film Series: “I Can Be President: A Kids Eye View”
    • A.N.T. Farm
    • Dora the Explorer
    • Go, Diego, Go!
    • My Family Tree

44th NAACP Image Awards

Outstanding Performance in a Youth/Children’s Series or Special

  • Loretta Devine – Doc McStuffins
    • Nick Cannon – 2012 TeenNick Halo Awards
    • China Anne McClain – A.N.T. Farm
    • Keke Palmer – Winx Club: Enchantix
    • Tyler James Williams – Let It Shine

Outstanding Children’s Program

  • Kasha and the Zulu King (BET)
    • Degrassi: The Next Generation (TeenNick)
    • Avatar: Legend of Korra (Nickelodeon)
    • TeenNick HALO Awards (Nick@Nite. For the TeenNick HALO Awards 2012 episode)
    • The Weight Of The Nation For Kids (HBO)

45th NAACP Image Awards

Outstanding Children’s Program

  • Wynton Marsalis: A YoungArts MasterClass (Masterclass)
    • Postcards: Mandela (The Africa Channel)
    • Dora the Explorer (Nickelodeon
    • 2013 HALO Awards (Nickelodeon)
    • A.N.T. Farm (Disney Channel)

Outstanding Performance in a Youth/Children’s Series or Special

  • China Anne McClain – A.N.T. Farm
    • Zendaya – Shake It Up
    • Fátima Ptacek – Dora the Explorer
    • Eric I. Keyes III – Live Life and Win!
    • Karan Brar – Jessie

46th NAACP Image Awards

Outstanding Children’s Program

  • Doc McStuffins” (Disney Junior)
    • Anna Deavere Smith: A Youngarts Masterclass” (HBO)
    • Dora and Friends: Into The City!” (Nickelodeon)
    • HALO Awards” (Nickelodeon)
    • Kid President: Declaration of Awesome” (HUB)

Outstanding Performance by a Youth in a Youth/ Children’s Program – (Series or Special)

  • Fatima Ptacek – “Dora and Friends: Into The City!” (Nickelodeon)
    • Amber Montana – “Haunted Hathaways” (Nickelodeon)
    • China Anne McClain – “How to Build a Better Boy” (Disney Channel)
    • Curtis Harris – “Haunted Hathaways” (Nickelodeon)
    • Taliyah Whitaker – “Wallykazam!” (Nickelodeon)

47th NAACP Image Awards

Outstanding Character Voice-Over Performance – Television or Film

Outstanding Children’s Program

48th NAACP Image Awards

Outstanding Character Voice-Over Performance – (Television or Film)

Outstanding Children’s Program

49th NAACP Image Awards

Outstanding Character Voice-Over Performance – (Television or Film)

Outstanding Children’s Program

50th NAACP Image Awards

Outstanding Character Voice-Over Performance (Television or Film)

  • Samuel L. Jackson – Incredibles 2 (Disney and Pixar Animation Studios)
    • Issa Rae – Bojack Horseman (Netflix)
    • Laya Deleon Hayes – Doc McStuffins (Disney Junior)
    • Mahershala Ali – Spider-Man: Into the Spider-Verse (Columbia Pictures/Sony
    • Pictures Animation in association with Marvel)
    • Shameik Moore – Spider-Man: Into the Spider-Verse (Columbia Pictures/Sony Pictures Animation in association with Marvel)

Outstanding Children’s Program

Outstanding Soundtrack/Compilation

51st NAACP Image Awards

Outstanding Character Voice-Over Performance (Television or Film)

  • James Earl Jones – “The Lion King” (Walt Disney Studios)
    • Alfre Woodard – “The Lion King” (Walt Disney Studios)
    • Donald Glover – “The Lion King” (Walt Disney Studios)
    • Lupita Nyong’o – “Serengeti” (Discovery Channel)
    • Sterling K. Brown – “Frozen II” (Walt Disney Studios)

Outstanding Children’s Program

52nd NAACP Image Awards

Outstanding Animated Motion Picture

Outstanding Character Voice Performance – Motion Picture

Outstanding Short Form (Animated)

  • Canvas
    • Cops and Robbers
    • Loop
    • The Power of Hope
    • Windup

Outstanding Animated Series

Outstanding Character Voice-Over Performance (Television)

Outstanding Children’s Program

Outstanding Short-Form Series (Drama or Comedy)

Outstanding Writing in a Motion Picture

Outstanding Ensemble Cast in a Motion Picture

Outstanding Soundtrack/Compilation Album

Outstanding Jazz Album – Instrumental

  • Music From and Inspired By Soul– Jon Batiste
    • Be Water– Christian Sands
    • Omega – Immanuel Wilkins
    • Reciprocity – George Burton
    • The Iconoclast– Barry Stephenson

53rd NAACP Image Awards

Outstanding Animated Motion Picture

Outstanding International Motion Picture

  • 7 Prisoners (Netflix)
    • Flee (Neon/Participant)
    • African America (Netflix)
    • This Is My Desire (Janus Films)
    • The Gravedigger’s Wife (Orange Studio)

Outstanding Animated Series

  • We the People (Netflix)
    • Big Mouth (Netflix)
    • Peanut Headz: Black History Toonz (Kweli TV)
    • Super Sema (YouTube Originals)
    • Yasuke (Netflix)

Outstanding Short-Form (Animated)

Outstanding Children’s Program

Outstanding Character Voice-Over Performance (Motion Picture)

  • Letitia Wright (Nooshy, Sing 2)
    • Andre Braugher (Al Granger, Spirit Untamed, DreamWorks/Universal)
    • Awkwafina (Sisu, Raya and the Last Dragon)
    • Brian Tyree Henry (Dancarino, Vivo)
    • Eric André (Darius, Sing 2)

Outstanding Character Voice-Over Performance (Television)

  • Cree Summer (Susie Carmicheal, Rugrats, Paramount+)
    • Angela Bassett (Narrator, Malika: The Lion Queen, FOX)
    • Billy Porter (Hiroki Hassan, Fairfax, Amazon Studios)
    • Chris “Ludacris” Bridges (Conrad Grant, Karma’s World, Netflix)
    • Keke Palmer (Rochelle, Big Mouth, Netflix)

54th NAACP Image Awards

Outstanding Animated Motion Picture

Outstanding Character Voice Performance – Motion Picture

Outstanding Animated Series

  • The Proud Family: Louder and Prouder
    • Central Park
    • Eureka!
    • Gracie’s Corner
    • Zootopia+

Outstanding Breakthrough Creative (Television)

  • Quinta Brunson – Abbott Elementary
    • Amy Yang – From Scratch
    • Branden Jacobs-Jenkins – Kindred
    • Hannah Cope – Karma’s World*
    • Syreeta Singleton – Rap Sh!t

Outstanding Short-Form Series (Drama or Comedy)

  • Between The Scenes – The Daily Show
    • Oh Hell No! With Marlon Wayans
    • Rise Up, Sing Out
    • Sunday Dinner
    • Zootopia+*

Outstanding Character Voice-Over Performance (Television)

Outstanding Soundtrack/Compilation Album

Notes

  • This is the first time since the 31st NAACP Image Awards (which was absent of any animated works) that no animated work or cast was nominated for Outstanding Children’s Program or Outstanding Performance in a Youth/Children’s Series or Special.
  • Notably absent from nominations: The Sea Beast (especially actors Marianne Jean-Baptiste and Zaris-Angel Hator), The Owl House (especially actors Sarah-Nicole Robles and Issac Ryan Brown).

Animated Films Which Should Have Been Nominated

Prior to 2021, a slew of animated works could have been nominated for an Outstanding Animated Motion Picture or Outstanding Animated Series Image Award if either existed. My picks:

  • 27th
    • Outstanding Animated Series
      • Gargoyles
  • 28th
    • Outstanding Animated Series
      • Gargoyles
      • Happily Ever After: Fairy Tales for Every Child
  • 29th
    • Outstanding Animated Series
      • Gargoyles
      • C-Bear and Jamal
      • Happily Ever After: Fairy Tales for Every Child
  • 30th
    • Outstanding Animated Series
      • Gargoyles
      • Todd McFarlane’s Spawn
  • 31st
    • Outstanding Animated Motion Picture
      • Kirikou and the Sorceress
    • Outstanding Animated Series
      • Todd McFarlane’s Spawn
  • 32nd
    • Outstanding Animated Motion Picture
      • Our Friend, Martin
    • Outstanding Animated Series
      • Little Bill
      • The PJs
  • 33rd
    • Outstanding Animated Series
      • Little Bill
      • The PJs
  • 34th
    • Outstanding Animated Series
      • Fillmore!
      • Static Shock
      • The Proud Family
      • Little Bill
  • 35th
    • Outstanding Animated Series
      • Fillmore!
      • Static Shock
      • The Proud Family
      • Little Bill
      • Hey Monie!
  • 36th
    • Outstanding Animated Series
      • Fillmore!
      • Static Shock
      • The Proud Family
      • Little Bill
      • Fatherhood
  • 37th
    • Outstanding Animated Motion Picture
      • The Proud Family Movie
      • The Golden Blaze
    • Outstanding Animated Series
      • The Boondocks
  • 38th
    • Outstanding Animated Series
      • The Boondocks
  • 39th
    • Outstanding Animated Series
      • Class of 3000
      • The Boondocks
  • 40th
    • Outstanding Animated Series
      • Afro Samurai
      • The Boondocks
  • 41st
    • Outstanding Animated Motion Picture
      • The Princess and the Frog
    • Outstanding Animated Series
      • The Boondocks
      • The Cleveland Show
  • 42nd
    • Outstanding Animated Series
      • The Boondocks
      • The Cleveland Show
      • Black Panther
  • 43rd
    • Outstanding Animated Series
      • The Boondocks
      • The Cleveland Show
  • 44th
    • Outstanding Animated Motion Picture
      • Kasha and the Zulu King
    • Outstanding Animated Series
      • Doc McStuffins
      • Black Dynamite
      • The Boondocks
      • The Cleveland Show
  • 45th
    • Outstanding Animated Series
      • Doc McStuffins
      • The Boondocks
      • The Cleveland Show
  • 46th
    • Outstanding Animated Series
      • Doc McStuffins
      • The Boondocks
  • 47th
    • Outstanding Animated Series
      • Doc McStuffins
  • 48th
    • Outstanding Animated Series
      • Doc McStuffins
  • 49th
    • Outstanding Animated Motion Picture
      • Home
    • Outstanding Animated Series
      • Doc McStuffins
      • Kulipari
  • 50th
    • Outstanding Animated Motion Picture
      • Spider-Man: Into the Spiderverse
      • Incredibles 2
    • Outstanding Animated Series
      • Doc McStuffins
      • Home: Adventures with Tip & Oh
      • Neo Yokio
      • Kulipari
  • 51st
    • Outstanding Animated Motion Picture
      • The Lion King
      • Spies in Disguise
    • Outstanding Animated Series
      • Doc McStuffins
      • Home: Adventures with Tip & Oh
      • Kulipari
    • Outstanding Short Form (Animated)
      • Hair Love

U.S. States and Black Political Self-Perception

I have never met an African-American person who has ever worn their state of residence on their sleeve as a matter of political identity.

It’s not been successfully driven into us that the state one lives in can’t and shouldn’t adopt ideas and cultures and laws from other states.

It’s not been driven into us that borders between states should be so strict as they are.

It’s not been driven into us that states are countries unto themselves and can’t possibly be challenged on the merits of their governments’ actions by the national government.

It’s not been driven into us that federalism is, in any sense, a worthwhile method of governance.

I don’t think African-Americans will completely buy into the ideology of federalism, not when states and their governments give us so much unnecessary grief over our civil rights.

I’d like for someone to at least try to step into our shoes and convince people like me that federalism benefits Black people in this country, when it has failed so many states’ governments and their residents of all ethnicities.

It’s a trap.

Sullivan’s piece, rife with generalizations about a group as vastly diverse as Asian-Americans, rightfully raised hackles. Not only inaccurate, his piece spreads the idea that Asian-Americans as a group are monolithic, even though parsing data by ethnicity reveals a host of disparities; for example, Bhutanese-Americans have far higher rates of poverty than other Asian populations, like Japanese-Americans. And at the root of Sullivan’s pernicious argument is the idea that black failure and Asian success cannot be explained by inequities and racism, and that they are one and the same; this allows a segment of white America to avoid any responsibility for addressing racism or the damage it continues to inflict.

via ‘Model Minority’ Myth Again Used As A Racial Wedge Between Asians And Blacks : Code Switch : NPR

A Forgotten Piece Of African-American History In The Former Town Of Dearfield On The Great Plains : The Salt : NPR

Movies could be made about this.

Abandoned towns from the early 20th century are far from unique on this stretch of the Great Plains. Withered storefronts and collapsed homes are common. Boom and bust economics and harsh weather made it tough for turn of the century settlers to succeed long-term.

Few ghost towns, however, have all the elements that make Dearfield’s story so compelling: larger than life characters, struggles to live off the land, tales of racial integration at the height of the Jim Crow era.

via A Forgotten Piece Of African-American History In The Former Town Of Dearfield On The Great Plains : The Salt : NPR

Someone Wrote The Play ‘Hidden Fences’

The play we deserve!

I woke up one morning in late January and thought “I’m going to write a play about this.” I had seen and read “Fences” (the play, screenplay and movie) and had yet to see “Hidden Figures”. I wanted to reclaim that slip-up and felt like it was ripe for satire. As a kid, I watched some of the best black comedians and learned from the greats. Whether it was The Wayans with “Don’t Be A Menace To Society While Drinking Your Juice In The Hood” at the movies, “Chappelle’s Show” on TV, or my Grandmother saying “whitey” on the la-z-boy. I was born and raised in the projects in Queens, New York City, youngest of two, by a single mom, one project over from the infamous QueensBridge Housing projects. I’ve chipped my front tooth twice and clocked hours observing from my project window. I’m like the Nas of comedy.

via I Wrote The Play ‘Hidden Fences’ Because Someone F*ucking Had To | AFROPUNK

When Will it Be Safe for Black LGBT Folk to Travel to Africa or the Caribbean?

Sometime back I remember a Twitter post asking “why is it that only countries with White people are passing same-sex marriage into law?” That question was from a gay racist.

That question has bothered me ever since.

If one were to think of homo sapiens along skin color lines, most of the progress we’ve seen on LGBT rights have taken place in countries which are predominately White and Christian, with the two exceptions of South Africa (predominately Black and Christian) and Israel (predominately White and Jewish).

It is rather difficult to live as an openly-LGBT person in most of Africa or in the Caribbean. Sodomy laws abound in these parts, as do highly-patriarchal Abrahamic religions and superstitious beliefs about sex and STDs.

Someday, I’d like to go to a Barbados which doesn’t have sodomy laws and welcomes LGBT African-American tourists to their annual Season of Emancipation. Someday I’d like to go as an openly-gay man to Trinidad and Tobago for Carnival. Someday I’d like to go to the Bahamas without fear for Junkanoo.

Someday, if I am married, I’d like to visit Elmina Castle with my husband and look out of the “door of no return” without fear of violence from folks nearby, but with tears in our eyes. I’d like for us to experience the sights and sounds of Lagos together without homophobic mob violence lurking around us. I’d like for us to go to Kuchu Pride in Kampala in a time when none of the attendees need to wear rainbow masks.

Id like to visit a Mr. Gay Africa contest in Windhoek or a drag show in Harare. I’d go to Soweto Pride in a time when Black lesbians feel much more safe and are not being targeted for corrective rape and murder by cishet men.

This vision of a more queer-welcoming African civilization is something I hope will become a reality in my lifetime.

 

Prison Abolition

I think abolishing both police and prisons is a gargantuan undertaking. It will mean having to reshape everything we know about property, what we value, and how far we will go to retaliate against violations of property. It will mean decriminalization and legalization of a number of felonies and misdemeanors. It will mean unlearning our learned, acculturated emotions about each other.

If this alternative structure for law and justice can be built, it will be about as important of a change in history as Costa Rica’s abolition of it’s standing armed forces in 1948.