Billie Sweeney is a trans journalist who was an editor for the New York Times until last year. Here, she recalls her losing battle for the soul of the paper of record.
Source: Bias at NYT: Trans Former Employee Speaks Out — Assigned
Billie Sweeney is a trans journalist who was an editor for the New York Times until last year. Here, she recalls her losing battle for the soul of the paper of record.
Source: Bias at NYT: Trans Former Employee Speaks Out — Assigned
What is journalism, anyway?
There’s really not much difference between journalism and blogging right now. In both, you observe, write, record, publish, and let your viewers share the results.
But after that, what is to be done with the story? Does it just sit there?
Journalism is a weird profession. It’s not a personally-oriented profession which revolves around provider and client. It’s not a personal service. It’s directed toward some type of nameless “public”, be it the general public or a smaller section of society.
Narrower journalism genres tend to require a greater deal of sensitivity and rigor to the topic at hand. Depending on the genre, its time sensitivity and how much it may affect our lives and resources, one has to have professional and/or academic experience on the topic. Weather and environmental journalism is perhaps the best example of a journalism genre which has an immediate impact on human life; business journalism is another quasi-genre of journalism which immediately affects human resources and, hence, lives. There is little partisanship in either genre.
Political journalism, on the other hand, is a terrible and ill-formed genre. It vacillates between slow-going sports game coverage during campaign season and celebrity gossip during electoral off-years. Crime journalism is little better.
There is no rigor to political and crime journalism beyond the AP Stylebook. They rely on “investigative” bullshit which doesn’t help any reader or viewer in the short term.
Concrete action in politics is too slow to report on, so let’s report on some stupid shit that a politician said, and rinse and repeat everyday except for Election Day.
That’s how bad it has always been. Political journalism is sports crossed with celebrity gossip.
Some thoughts about comparing/contrasting Russia’s RT to Venezuela’s Telesur.
There are three countries which have both international TV channels and U.S.-oppositional foreign policies: Russia’s RT, Venezuela’s Telesur and Iran’s Press TV.
But what I’ve noticed is that Venezuela’s government is not trying to play both sides of U.S. politics like Russia’s is doing. I’ve never seen any reports of right-wing reactionary activists collaborating with and holding conferences in Venezuela under the auspices of Venezuela’s government. I’ve never seen right-wing conspiracy theorists brought onto Telesur English as guests and correspondents like RT has done frequently.
While RT boasts an ideological grab-bag of American talent like Thom Hartmann, Ed Schultz, Larry King, Max Keiser, Peter Lavelle and Lee Camp, Telesur English boasts consistently American hard-left talent like Abby Martin (who left RT in disagreement with Russia’s annexation of Crimea), Bill Fletcher and Laura Flanders, the types who you’d encounter more often on Free Speech TV.
RT channels their content through live video, on-demand episodes and interviews, and “no-comment” raw footage, while Telesur (which had live video in English for a brief period of less than a year, but may have cut back due to loss of funding) primarily relies on on-demand episodes and “share this” video.
RT has a more economically-stable backing state than Telesur. RT’s politics are somewhat reflective of Putin’s hard-right United Russia Party, while Telesur’s politics are wedded deeply to Maduro’s United Socialist Party of Venezuela (PSUV).
RT combines the visual on-screen graphic sense of Fox News with journalism qualities which are below that of Al Jazeera English, while Telesur may as well be ran out of a basement in Miraflores Palace.
Telesur, like RT, was very critical of Hillary Clinton during the election and boosted Bernie Sanders as the better candidate, but diverged from RT on Trump. Telesur’s English-language posts are vehemently critical of Trump, and may as well have been written by writers from Truth-out or Alternet. RT, by comparison, has boosted Trump.
Telesur, finally, is unique among the power players in international broadcasting – both state-controlled and state-influenced – in that it is situated in the Americas in critical opposition to U.S. foreign and even domestic policy, and is perhaps the most representative international outlet of hard-left politics from the Americas. Telesur is state-controlled, partisan and ideological, which emanates unabashedly in their support for the Cuban regime, their critique of the politics of Israel and Turkey and their overt pro-government bent on Libya and Syria (which brought an end to Telesur’s collaboration agreement with Al-Jazeera). RT, meanwhile, speaks more for Russian interests against U.S. interests with more regard to United Russia’s nationalism and expansionism.
But Telesur also focuses greatly on events in Central and South America in ways that I’m more likely to find from, say, the BBC than from U.S. or other international outlets. I’m more likely to see coverage of Ecuadorian or Peruvian politics from Telesur than I am from U.S. outlets. I think Central and South American politics, especially as they affect Aboriginal and Afro-American interests, should be covered more extensively, and not just the bad, trainwreck stories like impeachments and plane crashes.
If one who is a U.S. citizen is hard-left and U.S.-critical in one’s politics but wants to reach for a more international audience than Free Speech TV or Link TV would allow, I would suggest the more consistent Telesur over the more opportunistic RT.
When I started my Journalism class this Spring semester, I did not anticipate the complexities, or the range of emotions which one can feel when creating and perfecting a video project.
It was not easy, as I had to learn the operation of a video camera for the first time. I also learned (the hard way) that I should be prepared with at least 120 minutes of tape.
When I had to edit the video in iMovie, I initially had to read Apple’s tutorials and ask questions from other colleagues in order to get a grasp of the software (and work around its limitations, which became more apparent as time moved forward).
All of this was done by myself, as my partner had to withdraw from the class due to scheduling conflicts (a necessary thing for any student to do).
However, through the course of the semester and a number of mistakes, I gradually became acclimated towards the process. I took inspiration from years of viewing the cutaway and editing styles of cable/satellite news television programs, but I also managed to work around flaws in my raw footage in order to make sure that the footage tells a story to the viewer, or puts the viewer into the recorded event for however long a duration I can manage.
It’s an exercise which I would encourage a lot of people to at least try once in their lifetimes. Multimedia narratology is a trying but worthwhile process which tests one’s capacity to portray a story for other people to view and forward to others.
You can see my videos for MSC-TV in my portfolio section.