July 30, 2021
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July 30, 2021
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Alicia Keys – “LALA (Unlocked)” feat. Swae Lee // Out Now
Listen Here // https://ift.tt/2X8vY4wSubscribe to the official Alicia Keys YouTube channel: https://ift.tt/2TjhM3h
Directors: Sylvia M. Zakhary & Sing J Lee
Production Company: Mamag Studios
Producers: Will Hudson, Sarah El Khawand
Creative Director: James Bailey
Cinematographer: Frank Mobilio
Production Designer: Spencer Graves
Costume Designer: Krisana Sotelo
Editor: Ryan Beck (Final Cut UK)
Color Grade: Houmam Abdallah
Sound Design: AJ Murillo (Barking Owl)Follow Alicia Keys:
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They are one of the most influential figures in American 20th century history. It’s time you learn their name. Both Pauli’s personal path and tireless advocacy foreshadowed some of the most politically consequential issues of our time. Told largely in Pauli’s own words, My Name is Pauli Murray is a candid recounting of that unique and extraordinary journey. My Name is Pauli Murray is coming to theaters September 17, and streaming on PrimeVideo Oct 1.
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Misinformation abounds about the removal of Confederate monuments in across the Southern United States. In this video, I discuss the common misconceptions about these statues. Join me in making treason odious.
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Twitter ► https://twitter.com/atun_shei~REFERENCES~
[1] “Whose Heritage? Public Symbols of the Confederacy” (2019). Southern Poverty Law Center
https://ift.tt/3fsdnEq[2] “City of New Orleans Begins Removal of Divisive Confederate Statues Commemorating ‘Cult of the Lost Cause’” (2017). Nola.gov https://ift.tt/2DQ5RGk
[3] Andrew Caplan: “Confederate Statue Removed From Downtown Gainesville” (2017). The Gainesville Sun https://ift.tt/3iQS1ST
[4] Alex Horton: “Tennessee Lawmakers Punish Memphis for Removing Statue of Confederate and KKK Leader” (2018). The Washington Post https://ift.tt/3g0cgLT
[5] “Kentucky City Removes 2 Confederate Statues from Courthouse” (2017). CBS News https://ift.tt/2E8QA2W
[6] Lisa O’Donnell: “Remove Confederate Statue or Face Possible Legal Action, Winston-Salem tells United Daughters of the Confederacy” (2019). Greensboro.com https://ift.tt/3kUauj1
[7] Tom Foreman Jr. and Jonathan Drew: “Confederate Statue Removed from Winston-Salem Courthouse” (2019). Salisbury Post https://ift.tt/313pQK4
[8] Jon Greenburg: “Kemp Decries Calls by ‘Radical Left’ to Remove Washington, Jefferson Statues. We Looked For Examples” (2017). Politifact https://ift.tt/31WgyPn
[9] David A. Graham: “Where Will the Removal of Confederate Monuments Stop?” (2017). The Atlantic https://ift.tt/3g7LBwB
[10] Matt Atkinson: “Jubal Early and the Molding of Confederate Memory” (2016). GettysburgNPS https://youtu.be/QZ2Md83uIP4
[11] Caroline E. Janney: “The Lost Cause” (2009). Encyclopedia Virginia https://ift.tt/3i0gDul
[12] Brad Epperly, Christopher Witko, Ryan Strickler, Paul White: “Rule by Violence, Rule by Law: Lynching, Jim Crow, and the Continuing Evolution of Voter Suppression in the U.S.” (2019). Cambridge University Press https://ift.tt/3gYE5pc
[13] “’Their Own Hotheadedness’: Senator Benjamin R. ‘Pitchfork Ben’ Tillman Justifies Violence Against Southern Blacks.” History Matters https://ift.tt/39M1kB7
[14] Annie Cooper Burton: The Ku Klux Klan (1916). Warren T. Potter https://ift.tt/3fYDq5L
[15] Codie Eash: “The Pennsylvania Veterans who Opposed Gettysburg’s First Confederate Monument” (2019). Pennsylvania in the Civil War https://ift.tt/2PY02sH
[16] Noah Caldwell, Audie Cornish: “Where Do Confederate Monuments Go After They Come Down?” (2018). NPR News https://ift.tt/2KvK4km
[17] “Neo-N@zi Provocations on the Rise in Germany” (2020). Courthouse News Service https://ift.tt/3g3ig6H
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Voguing, and the ballroom scene that gave rise to the dance genre, were started in New York City in the 1980s by Black and Latinx queer folks seeking a place to be themselves. And now, the ballroom culture has taken roots in China, creating a a safe space for LGBT youths to express queerness and find each other.
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Dekker returns on 16th October with ‘The Love’ his final single from his upcoming 12-song debut album Slow Reveal: Chapter One which follows on 20th November.
About ‘The Love’ Dekker writes, “I wrote this song around a simple 4-chord loop. Something in the pattern hypnotised me and I found myself cycling through these chords in a trance. In this song (and video), I’m disoriented and dreamlike in service to and in pursuit of love.”
MUSIC:
Author, guitar, voice by Brookln Dekker
Drums & percussion by Stefan Wittich
Mixed by Paul Pilot
Mastered by Andreas StickelVIDEO:
Videography by Brookln & Ruth Dekker
Directed by Brookln Dekker
Edited by Brookln DekkerLYRICS
I know enough about love
To break it
I’ve heard enough about love
How to make it
I wrote a song about us
Are we faking
I hope it’s not about usI’d put myself on a tree
Like the lord
With my feet
Off the ground
And I’m bound
And the nails
How I’d bleed
I’d give it all for love
All of my breathe for loveI want a run-in with love
Take me
I want to know the whole love
I’m aching
I know it’s all about love
No mistaking
Let me and I’ll bring the loveI’d put myself on a tree
Like the lord
With my feet
Off the ground
And I’m bound
And the nails
How I bleed
Now take me down from this tree
Take me down
To my knees
Take me whole
I want to live in the love
I want to share in the love#officialmusicvideo #officialvideo #dekker #thelove #slowreveal
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While being escorted to a mysteriously irradiated site, a scientist experiences strange visions.
Using a realtime game engine, a motion-capture facility, and off-the-shelf visual assets, acclaimed VFX artist Sava Zivkovic showcases the immense potential of Virtual Production to filter down to indie filmmakers everywhere.
A selection of Short of the Week, the web’s leading curators of quality short films.
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Twitter: https://twitter.com/shortoftheweekIRRADIATION
Directed by Sava Zivkovic
https://ift.tt/3sud7fR“Did you know that Jon Favreau “shot” the latest Lion King in VR? That the reason The Mandalorian is able to produce such epic landscapes on a TV production timetable is that it is filmed in front of a giant LED screen which adapts to the camera in realtime? Oh, you did. Disney is the biggest name in entertainment and never suffers from a lack of publicity, so it makes sense that you’ve encountered one of the many trend pieces that describe the emerging field of “Virtual Production” and how it is a “gamechanger” and “the future of filmmaking”.
You may know this, but it is one thing for these bleeding-edge tools to be in the hands of creators at multi-billion dollar studios, what you might not know is how close we are to their adoption by the rest of us.
Today’s short is truly a fascinating glimpse at the current state of play. From acclaimed VFX artist Sava Zivkovic, Irradiation is a 9min mood piece that crosses sci-fi horror with “Chernobyl”-inspired imagery, creating a heady CG animated short long on atmosphere and menace. Many of the usual hallmarks of a sci-fi proof-of-concept apply here: detailed, photo-realistic characters that might trick more than a few of you, terrific motion, cinematic direction, and detailed environmental worldbuilding are all featured. What is even more notable than the end product though is how it came together; both its workflow and the film’s status as a personal passion project.
Using a realtime game engine, a motion-capture facility, and off-the-shelf visual assets, Zivkovic creates a million-dollar-looking animation largely by himself. Irradiation is great, but it’s not terribly dissimilar from work we see all around us—in movies and TV, or advertising and gaming. However, as recently as a couple of years ago, you’d expect work of this quality to require at least a small studio and/or for it to take months of labor. Instead, Zikovic produced Irradiation in 4 weeks in a manner more akin to an indie guerrilla shoot…
READ THE FULL REVIEW at — https://ift.tt/3xVlUII
CREDITS
Written and Directed by – Sava Zivkovic
Assets provided by – Big Medium Small
Motion Capture and Animation – Take OneMotion capture performance:
Evgeniy – Nebojsa Jez
Mirbek – Dejan Jovanovic
Usmon – Lazar DjukicVoice Acting:
Evgeniy – Oleg Fedorov
Mirbek – Andrey Matveev
Usmon – Andrey MatveevTranslation – Marnia Vasilkina and Polina Zabrodskaya
Dialogue Recording Coordinator – Eugene Krasnoded
Dialogue Recording – NevaFIlm
Dialogue Processing and Final Mix – Bogdan Brakovic
Sound Design, Foley Artist, Foley Engineer, Sound Editing and Mixing – Marko Zivanovic / Devotion Studios
Music by – Iz Svemira
Realtime TD – Michael Zaman
Rigging Support – Lucas SalamonSpecial thanks – Jama Jurabaev
Tools: Unreal Engine, Blender, Zbrush, Substance Painter, Adobe Suite.
Reproduced on this channel with the permission of the filmmakers.
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In a little more than 10 years, Bitcoin has become a ubiquitous part of everyday life, and the community around Bitcoin (and other cryptocurrencies) has grown exponentially. People have gotten rich off Bitcoin, you’re told; put money in it, and you’ll get rich too. But it’s all a lie. Doug Henwood, author of Wall Street, explains.
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Citations are provided in the video. But we highly recommend, as an additional source, Nicholas Nassim Taleb’s “Bitcoin Black Paper”: https://ift.tt/3h499VS.
0:00 The Financier’s Story
1:09 The World of Bitcoin
3:07 Is Bitcoin an “Investment”?
5:04 What Bitcoin Represents
7:15 Credits
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Gov. Ralph Northam ceremonially signed the Virginia Voting Rights Act on Sept. 13, 2021 in Newport News.
Read more: https://bit.ly/3hoFyHJ
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