Winning the Senate is More Important than Anything

I have voted for Joe Biden and Kamala Harris, and for Democrats down the ballot.

But when I did so, my enthusiasm was not focused on the top of the ticket. I’m learning to not fall in love with the top of the ticket, or to hold high expectations for what the president will do upon taking office.

Instead, I have high expectation from a Democratic majority Senate and House, and for President Biden to cooperate with this majority.

Nancy Pelosi, as Speaker, has set up some extremely high expectations in this 116th Congress for what the congressional agenda will be under the next Democratic trifecta. All of those bills that were passed by the Democratic House and blocked by the Republican Senate need to be passed again with a Democratic trifecta. And the Senate, under Schumer or whoever, absolutely needs to ditch the filibuster to make all of this happen.

Then I need this trifecta to try passing at least one (1) progressive constitutional amendment. There’s one that’s been waiting for over 40 years to become the 28th.

All I want from our 46th president is to sign all of those bills, take the credit and step out of the way. Don’t obstruct, don’t try to get in the way of the House.

That’s the only way I can get some sleep. The joke may be that we’re voting for “Sleepy Joe” so we can get some sleep, but I’m not resting (much) until the backlog of bills on McConnell’s desk is cleared into law in the 117th. I’m not resting until substantial federal COVID relief is passed. Not until a new VRA is passed, not until DC statehood is passed, not until the For the People Act, Equality Act, George Floyd Act, HR 40, Paycheck Fairness Act, SAFE Banking Act, Climate Action Now Act, and every other act passed by the 116th House gets sent to Joe Biden’s desk in the 117th. I look forward to the MORE Act, the Ending Qualified Immunity Act, and other bills which didn’t get consideration by this Congress moving forward in the next.

That’s what I’m voting for, no matter what happens at/with the increasingly-deligitimized SCOTUS, no matter the rage of right-wing governors, attorneys-general and secretaries of state.

I’m glad that Biden will be going into office without the high expectations which were accorded to Obama from his election, and without the high drama which dogged Clinton throughout her campaign. He will be boring, and maybe opaque, and that’s good. Hopefully, he won’t have too many Executive Orders to issue.

The main focus must be paid to the Democratic Congress, and to whether they will fulfill their promises to the people.

The regional discrepancy in early vote turnout for 2020, and other observations

Looking at the Elect Project’s map of early voting turnout up to this point, I spent a week wondering why the turnout in the Midwest and Pennsylvania (especially Pennsylvania) was so low compared to most of the “Sun Belt” states.

Apparently, I learned that this is the first year in which most of the Midwest, Pennsylvania and New York was introduced to both early voting and no-excuse absentee voting, but no-excuse absentee was introduced as the only means of early voting in several Midwestern states. Gerrymandered Republican state legislatures had incredible misgivings about no-excuse absentee throughout this election cycle.

That partly explains why pre-Election Day turnout in the Midwest, New York and Pennsylvania is lower than Georgia, Florida, North Carolina (All three of which use both absentee and and either paper ballots or machines for in-person for 3 weeks), Texas (which largely used paper or machines for 3 weeks of early in-person voting while shunning expansion of absentee voting to those with no excuse), and most states west of the Mississippi.

(At least Michigan prepared a bit better with the passage of Proposal 3 in the Blue Wave of 2018, which legalized no-excuse absentee voting among other reforms via ballot initiative as a constitutional amendment, which has meant that Republicans have found other means of nipping at absentee voting in Michigan such as cutting counting time to Election Day).

The Midwest needed no-excuse absentee in the first place. Michigan was more prepared for COVID forcing a greater reliance on absentee voting, but not the other Midwestern states. The early voting turnout in the Midwest was leaps and bounds ahead of their 2016 early voting turnout, which is to be praised. BUT this sudden and exclusive switch to no-excuse absentee voting was a mistake, IMO, at least when looking at states which did both in-person paper/machine voting and absentee voting and almost eclipsed their 2016 totals (like Georgia and Florida). This amounted to a trial-by-fire for election administrations who were more accustomed to voters turning out on Election Day in person. Absentee voting (and especially early voting) absolutely should be kept and expanded in the Midwest, but maybe they should be kept as an option for at least a few more elections before going total absentee like Colorado and four other states. Or maybe this method of reserving early voting for absentee ballots will improve in future cycles.

Thanks to this early turnout for absentee ballots in the Midwest, GOTV for Dems is going to be a heavier lift in the Midwest/PA/NY for Election Day (but a lot easier for Dems compared to 2016), while GOTV for Dems in the Sun Belt has the easier(?) but more complicated necessity to be more precise with who to pull to the polls, especially Black and Brown voters in Florida. The worries over Black and Brown turnout are easy fodder for the usual “Dems in disarray” headlines, even as Biden has led an otherwise stellar campaign.

And the growing consensus among the prognosticators and election mappers I read on Twitter is that North Carolina’s early count of absentee ballots (currently 97% counted) will likely point to the Electoral College winner on what is erroneously called “Election Night”.

Rina Sawayama: XS

Musical guest Rina Sawayama performs “XS” for The Tonight Show Starring Jimmy Fallon.

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Rina Sawayama: XS
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Elektra Reading A Transphobe For Filth – Full Scene | Pose

Watch the epic moment Elektra from Pose hits back at transphobia and reads a customer for filth. Everyone deserves a seat at the table.

Seasons 1 + 2 of Pose streaming now on Netflix.

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Elektra Reading A Transphobe For Filth – Full Scene | Pose
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It’s 1990, and even as Madonna’s ballroom ode “Vogue” sweeps the nation, Blanca, Pray Tell and the House of Evangelista know life isn’t always a ball.

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Young Black Woman goes AWF at Kansas City Board of Police Commissioners Meeting

Young Black Woman goes off at Kansas City Board of Police Commissioners Meeting.
“You age like trash when you’re racist” 😂

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Inside RIP Medical Debt

Inside RIP Medical Debt: Experience the Story

Understanding how RIP Medical Debt works and our partnership to eliminate medical debt from some of our most vulnerable neighbors.

Join Rev. Traci Blackmon, Associate General Minister of Justice & Local Church Ministries and Rev. Kent Siladi, Director of Philanthropy, as they discuss this important initiative with Scott Patton, Director of Development for RIP, for this important conversation.

“Tuesdays for Nurture” is a Tuesday webinars series in which we faithfully focus on education for the people of God. Topics from faith-filled politics, to interviews of key leaders, to “how to’s” in congregational life, to the impacts of current realities on the life of the church will be featured. Each webinar will include clear suggestions on what YOU can do to change the church, and the world, towards the world God imagines for us.

“Tuesdays for Nurture” and “Thursdays for the Soul” are offered by Faith Education, Innovation, and Formation and Justice and Local Church Ministries of the National Setting, United Church of Christ.

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Knock Down The House | FULL FEATURE | Netflix

Four female candidates — each driven by personal experience and hardship — enter the 2018 race for Congress, challenging powerful incumbents for a spot at the table and a voice in government. This emotional documentary follows their campaigns.

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It All Comes Down to This: A Mother Jones Podcast Live Event

Exactly one week before the most important election of our lifetimes, the Mother Jones Podcast team is doing something it’s never done before: Going live.

Join host Jamilah King for this special livestreamed taping of the award-winning weekly podcast, featuring a cast of Mother Jones specialists telling you exactly what you need to know about this final sprint: the tide of disinformation, threats to your voting rights, what we’re seeing on the ground in battleground states, and the next phase in the fight for America’s future.

With democracy on the line, this is your chance to join the Mother Jones virtual newsroom. So log in, pour a happy hour beverage, and bring your questions. We’re almost there. It’s now or never.

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COLZA – Animated Short Film 2020

A young lizard named Clarence steals a precious plane while the whole village is distracted by the greatest concert it has ever seen.

Alors que le village assiste au plus grand concert qu’il n’ait jamais vu, une jeune lézarde nommée Clarence vole un précieux avion en papier.

Directors / Réalisateurs :
Victor CHAGNIOT, Camille BROUTIN, Matthieu DAURES, Victoria DE MILLO GREGORY, Maxime JOUNIOT, Jade KHOO
Team contact / Contact de l’équipe : colza@gobelins.fr

Soundtrack / Musique : Dahye KIM
Sound design / Montage sonore : Mathieu TIGER
Mix / Mixage : Mathieu TIGER

Production : GOBELINS, l’école de l’image – Moïra MARGUIN : mmarguin@gobelins.fr
Distribution : Miyu Distribution – Luce GROSJEAN : festival@miyu.fr

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Twitter : twitter.com/gobelins_paris

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The technology that’s replacing the green screen

The green screen is a Hollywood staple. Should it be?

It’s easy to complain about overreliance on special effects, but for projects that require impossible-to-film environments or have incredibly expensive shots, how do you get the flexibility of green screens without the drawbacks?

Charmaine Chan has worked on one of the possible answers. Vox’s Phil Edwards spoke to her about her career and how it’s at the forefront of a big technological shift. As a compositor for venerable effects house Industrial Light and Magic (ILM), she’s worked on films like The Last Jedi, assembling various digital elements into a beautiful, seamless image. Her job changed on The Mandalorian, one of the first shows to use ILM’s upgrade for the green screen: LED panels that used video game engine technology to place a realistic-looking world behind the actors.

It was a huge improvement, because green screens actually have a lot of drawbacks. Removing the green screen is never as quick as visual effects artists would hope. It also casts green light upon the set and actors. Even substitutes for a green screen, like projecting an image onto a screen behind the actor, fail to dynamically respond to camera movements the way they would in the real world.

ILM’s solution fixes a lot of those problems, and it also led to creative breakthroughs in which the old Hollywood order of a TV show or movie, in which VFX came last, was suddenly reversed. Now, artists like Charmaine are alongside actors, set designers, and other crew members during filming. That collaboration means that this technology doesn’t just eliminate a screen — it eliminates a creative barrier.

Watch the above video to see how it happens.

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