Watch the epic moment Elektra from Pose hits back at transphobia and reads a customer for filth. Everyone deserves a seat at the table.

Seasons 1 + 2 of Pose streaming now on Netflix.

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Elektra Reading A Transphobe For Filth – Full Scene | Pose
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It’s 1990, and even as Madonna’s ballroom ode “Vogue” sweeps the nation, Blanca, Pray Tell and the House of Evangelista know life isn’t always a ball.

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Young Black Woman goes off at Kansas City Board of Police Commissioners Meeting.
“You age like trash when you’re racist” 😂

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Inside RIP Medical Debt: Experience the Story

Understanding how RIP Medical Debt works and our partnership to eliminate medical debt from some of our most vulnerable neighbors.

Join Rev. Traci Blackmon, Associate General Minister of Justice & Local Church Ministries and Rev. Kent Siladi, Director of Philanthropy, as they discuss this important initiative with Scott Patton, Director of Development for RIP, for this important conversation.

“Tuesdays for Nurture” is a Tuesday webinars series in which we faithfully focus on education for the people of God. Topics from faith-filled politics, to interviews of key leaders, to “how to’s” in congregational life, to the impacts of current realities on the life of the church will be featured. Each webinar will include clear suggestions on what YOU can do to change the church, and the world, towards the world God imagines for us.

“Tuesdays for Nurture” and “Thursdays for the Soul” are offered by Faith Education, Innovation, and Formation and Justice and Local Church Ministries of the National Setting, United Church of Christ.

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Four female candidates — each driven by personal experience and hardship — enter the 2018 race for Congress, challenging powerful incumbents for a spot at the table and a voice in government. This emotional documentary follows their campaigns.

For more information and to download free educational resources please visit: https://ift.tt/3aaBzrO

US Rating: PG. Parental guidance suggested.

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About Netflix:
Netflix is the world’s leading streaming entertainment service with over 167 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.

Knock Down The House | FULL FEATURE | Netflix
https://youtube.com/Netflix

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Exactly one week before the most important election of our lifetimes, the Mother Jones Podcast team is doing something it’s never done before: Going live.

Join host Jamilah King for this special livestreamed taping of the award-winning weekly podcast, featuring a cast of Mother Jones specialists telling you exactly what you need to know about this final sprint: the tide of disinformation, threats to your voting rights, what we’re seeing on the ground in battleground states, and the next phase in the fight for America’s future.

With democracy on the line, this is your chance to join the Mother Jones virtual newsroom. So log in, pour a happy hour beverage, and bring your questions. We’re almost there. It’s now or never.

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A young lizard named Clarence steals a precious plane while the whole village is distracted by the greatest concert it has ever seen.

Alors que le village assiste au plus grand concert qu’il n’ait jamais vu, une jeune lézarde nommée Clarence vole un précieux avion en papier.

Directors / Réalisateurs :
Victor CHAGNIOT, Camille BROUTIN, Matthieu DAURES, Victoria DE MILLO GREGORY, Maxime JOUNIOT, Jade KHOO
Team contact / Contact de l’équipe : colza@gobelins.fr

Soundtrack / Musique : Dahye KIM
Sound design / Montage sonore : Mathieu TIGER
Mix / Mixage : Mathieu TIGER

Production : GOBELINS, l’école de l’image – Moïra MARGUIN : mmarguin@gobelins.fr
Distribution : Miyu Distribution – Luce GROSJEAN : festival@miyu.fr

Web : http://www.gobelins.fr
Facebook : facebook.com/gobelins.ecole
Instagram : instagram.com/gobelins_ecole/
Twitter : twitter.com/gobelins_paris

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The green screen is a Hollywood staple. Should it be?

It’s easy to complain about overreliance on special effects, but for projects that require impossible-to-film environments or have incredibly expensive shots, how do you get the flexibility of green screens without the drawbacks?

Charmaine Chan has worked on one of the possible answers. Vox’s Phil Edwards spoke to her about her career and how it’s at the forefront of a big technological shift. As a compositor for venerable effects house Industrial Light and Magic (ILM), she’s worked on films like The Last Jedi, assembling various digital elements into a beautiful, seamless image. Her job changed on The Mandalorian, one of the first shows to use ILM’s upgrade for the green screen: LED panels that used video game engine technology to place a realistic-looking world behind the actors.

It was a huge improvement, because green screens actually have a lot of drawbacks. Removing the green screen is never as quick as visual effects artists would hope. It also casts green light upon the set and actors. Even substitutes for a green screen, like projecting an image onto a screen behind the actor, fail to dynamically respond to camera movements the way they would in the real world.

ILM’s solution fixes a lot of those problems, and it also led to creative breakthroughs in which the old Hollywood order of a TV show or movie, in which VFX came last, was suddenly reversed. Now, artists like Charmaine are alongside actors, set designers, and other crew members during filming. That collaboration means that this technology doesn’t just eliminate a screen — it eliminates a creative barrier.

Watch the above video to see how it happens.

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Janelle Monáe – VR Performance [HBO’s Lovecraft Country Sanctum]

In her first-ever set in virtual reality, Janelle performs “Django Jane,” “Americans,” and “Come Alive (War of the Roses)” as an avatar in the Lovecraft Country Sanctum, an immersive VR experience inspired by the world of HBO’s Lovecraft Country.

For more information on Sanctum, visit https://ift.tt/2QL4SK8. Lovecraft Country, from executive producers Misha Green, Jordan Peele, and J.J. Abrams, is now streaming HBO Max.

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#JanelleMonáe #LovecraftCountry #LovecraftSanctum #DjangoJane #Americans #ComeAlive #WaroftheRoses

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To see about a hundred of adorable free-roaming foxes up close was AMAZING! Japan’s Miyagi Zao Fox Village might just be the fluffiest place on Earth!
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⚠️ Subscribe and stay updated on any NEW video upload: http://iAmAileen.TV

—
[ T R A V E L – G U I D E ]
▸ Find out how to try to this experience too by reading my travel blog guide: https://ift.tt/2lN7tVx

🕰 Best time to visit? Autumn or Winter (as it is when they’re at their fluffiest!)

↪ P.S.: If you hate zoo environments or any sort of animal enclosure no matter if the conditions are well and good (as per what I witness during my visit), I suggest that you don’t visit this place or it will make you uncomfortable. As for me, I just try to keep an open mind; plus, I don’t immediately shun every animal park, especially if the animals are well-cared for (unless it’s otherwise — do let me know). If it helps to note, foxes are one of the few animals who don’t suffer any type of stress when under captivity — but of course, I do know that it’s ideal to rather let them be in the wild…

Yet again, their chances of survival in the wild is very slim especially with today’s times. Looking at the facts, a fox in the wild has an average life span of 2-4 years only because of diseases, hunting practices and road accidents; but in places like this Fox Village, they can live up to 14 years. (Besides, you cannot imagine the number of people who would ‘kill’ for fox fur, nor the number of people who do fox hunting for fun/sport like the UK for example).

If you want to learn more about the foxes here, please read my blog post: https://ift.tt/2lN7tVx

—
[ F O L L O W ]
Did you enjoy this video? Come check my travel blog!
▸ http://iAmAileen.com

You can also find me on…
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▸ Twitter: http://twitter.com/iamaileen
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[ V I D E O ]
▸ Background Music: A Way for Me by Nicolai Heidlas FMH https://ift.tt/2bC8XwH
▸ Cameras: Sony RX100 MIV http://bit.ly/sonyrx100miv and Canon 760D T6s http://bit.ly/canon760dt6s
▸ Editing Software: Final Cut Pro (Apple)

—
[ A B O U T ]
I am Aileen Adalid. At 21, I quit my corporate job in the Philippines to travel the world. Today, I am a digital nomad and entrepreneur living a sustainable travel lifestyle.

My mission? To show you how it is absolutely possible to create a life of travel, and I will help you achieve that through my detailed travel guides, resources, and tips. But above all, I hope that my story and my videos will inspire you to go after your travel dreams!

So come with me on this crazy journey as I bring the world to you! Adventure, fun, inspiration, and tips — you’ll find it all here.

#Japan #AileenInJapan #CuteAnimals

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